Johann Sebastian Bach, Ensemble BachWerkVokal, Gordon Safari's 'Lobe den Herrn, meine Seele, BWV 69a: III. Meine Seele, auf, erzähle (Aria)' had a release date set for June 21, 2024. This song is about six minutes long, preciously at 6:22, making this song fairly long compared to other songs. The song is number 3 out of 19 in Bach: Jauchzet & Lobet by Johann Sebastian Bach, Ensemble BachWerkVokal, Gordon Safari. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. The popularity of Lobe den Herrn, meine Seele, BWV 69a: III. Meine Seele, auf, erzähle (Aria) is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Lobe den Herrn, meine Seele, BWV 69a: III. Meine Seele, auf, erzähle (Aria) by Johann Sebastian Bach, Ensemble BachWerkVokal, Gordon Safari is Presto (very, very fast), since this song has a tempo of 177 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
This song is in the music key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Johannes-Passion, BWV 245.1: 16. Recitativo: Da führeten sie Jesum | Johann Sebastian Bach, Thomanerchor Leipzig, Andreas Reize, Akademie für Alte Musik Berlin, David Fischer, Tobias Berndt, Daniel Ochoa | D Major | 2 | 10B | 172 BPM | ||
Was für ein jauchzendes Gedränge, TWV 1:1509: No. 7, Gelobet sei, der da kömmt, gelobt sei Jesusin der Höhe | Georg Philipp Telemann, Hanna Herfurtner, Carola Gunther, Mirko Ludwig, Fabian Strotmann, Peter Kooij, Kölner Akademie, Michael Alexander Willens | E♭ Minor | 2 | 2A | 81 BPM | ||
Er heißet Wunderbar, Rat, Kraft, Held, FR 408/1: IV. Choral (Tutti) | Johann Friedrich Fasch, Benjamin Schmolck, Berit Norbakken Solset, Marianne Beate Kielland, Anders J. Dahlin, Halvor Festervoll Melien, Alfredo Bernardini, Barokkanerne | F♯ Minor | 1 | 11A | 126 BPM | ||
Concerto For 2 Keyboards In C Minor, BWV 1060: III. Allegro | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | C Minor | 4 | 5A | 104 BPM | ||
Das Sühnopfer des neuen Bundes, Pt. 1: No. 6, O du Zuflucht der Elenden | Carl Loewe, Arcis-Vocalisten Munich, L'Arpa Festante Baroque Orchestra, Thomas Gropper | B♭ Major | 0 | 6B | 66 BPM | ||
IV. Ein irdscher Glanz, ein lieblich Licht (Recitative) | Johann Sebastian Bach, Christoph Spering, Das Neue Orchester, Tobias Berndt | A♭ Major | 2 | 4B | 92 BPM | ||
Fantasia I sopra Ut-Re-Mi-Fa-Sol-La, FbWV 201: V. Pt. 4 | Johann Jakob Froberger, Gustav Auzinger | D Major | 1 | 10B | 176 BPM | ||
Meditation No. 5 | Alexander Därr | E♭ Major | 0 | 5B | 78 BPM | ||
Concerto In F Major, F Dur BWV978, After Antonio Vivaldi: (Allegro) | Arts Music Recording, Rotterdam, Pieter Dirksen, Johann Sebastian Bach | E Minor | 1 | 9A | 81 BPM | ||
(Ré)inventio: No. 7 in E Minor [After J.S. Bach's BWV 778] | Chiahu Lee, Johann Sebastian Bach, Yulia Vershinina-Mukhopadhyay | E Minor | 2 | 9A | 112 BPM |