Chiahu Lee, Johann Sebastian Bach, Yulia Vershinina-Mukhopadhyay's '(Ré)inventio: No. 7 in E Minor [After J.S. Bach's BWV 778]' had a release date set for March 15, 2024. With This song being less than two minutes long, at 1:50, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There is only one song in (Ré)inventio, so we believe that "(Ré)inventio: No. 7 in E Minor [After J.S. Bach's BWV 778]" is a single. In terms of popularity, (Ré)inventio: No. 7 in E Minor [After J.S. Bach's BWV 778] is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of (Ré)inventio: No. 7 in E Minor [After J.S. Bach's BWV 778] by Chiahu Lee, Johann Sebastian Bach, Yulia Vershinina-Mukhopadhyay is Moderato (at a moderate speed), since this song has a tempo of 112 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite No. 3 in D Minor, HWV 428: IV. Courante | George Frideric Handel, Dina Ugorskaja | D Minor | 2 | 7A | 58 BPM | ||
Three-Part Inventions (Sinfonias), BWV 787-801: Sinfonia No. 4 in D Minor, BWV 790 | Glenn Gould | D Minor | 1 | 7A | 131 BPM | ||
6 Pieces, Op. 21: II. Fugue à 4 voix | Pyotr Ilyich Tchaikovsky, Piers Lane | C Major | 1 | 8B | 68 BPM | ||
25 Études, Op. 47: No. 15 | Stephen Heller, Luca Rasca | E Minor | 0 | 9A | 68 BPM | ||
60 Études for Piano: No. 24 in G Major | Johann Baptist Cramer, Giorgio Farina | G Major | 5 | 9B | 131 BPM | ||
12 Variations for Violin and Piano on "La bergère Célimène", K. 359: Var. 11. Adagio | Wolfgang Amadeus Mozart, Alina Ibragimova, Cédric Tiberghien | G Major | 0 | 9B | 104 BPM | ||
Danza de Ávila, Op. 9 | Rodolfo Halffter, Silvana Santinelli | E Major | 2 | 12B | 90 BPM | ||
Nordlandske Danser, Op. 30: III. Allegro agitato | David Monrad Johansen, Rune Alver | G Minor | 1 | 6A | 44 BPM | ||
Notebook for Anna Magdalena Bach (1725) [Excerpts]: No. 6, Rondeau in B-Flat Major [Attrib. J.S. Bach's BWV Anh. 183] | François Couperin, Giovanni Mazzocchin | B♭ Major | 1 | 6B | 149 BPM | ||
Double Bass Sonata: II. Courante: Allegro con spirito | Henry Eccles, Entcho Radoukanov, Ingrid Lindgren | A Minor | 2 | 8A | 119 BPM |