François Couperin, Giovanni Mazzocchin's 'Notebook for Anna Magdalena Bach (1725) [Excerpts]: No. 6, Rondeau in B-Flat Major [Attrib. J.S. Bach's BWV Anh. 183]' came out on October 8, 2021. The duration of Notebook for Anna Magdalena Bach (1725) [Excerpts]: No. 6, Rondeau in B-Flat Major [Attrib. J.S. Bach's BWV Anh. 183] is about two minutes long, specifically at 2:47. This song does not appear to have any foul language. Notebook for Anna Magdalena Bach (1725) [Excerpts]: No. 6, Rondeau in B-Flat Major [Attrib. J.S. Bach's BWV Anh. 183]'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Giovanni Mazzocchin's "J.S. Bach: Notebook for Anna Magdalena Bach (1725)" album is number 7 out of 31. Based on our statistics, Notebook for Anna Magdalena Bach (1725) [Excerpts]: No. 6, Rondeau in B-Flat Major [Attrib. J.S. Bach's BWV Anh. 183]'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Notebook for Anna Magdalena Bach (1725) [Excerpts]: No. 6, Rondeau in B-Flat Major [Attrib. J.S. Bach's BWV Anh. 183] by François Couperin, Giovanni Mazzocchin to be Allegro (fast, quick, and bright) because the track has a tempo of 149 BPM, a half-time of 74BPM, and a double-time of 298 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 3/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Sonata No.1 in F Minor, Op. 2: II. Adagio | Ludwig van Beethoven, Maurizio Paciariello | A Major | 2 | 11B | 124 BPM | ||
Waldszenen, Op. 82: V. Freundliche Landschaft | Robert Schumann, Marc-André Hamelin | B♭ Major | 1 | 6B | 74 BPM | ||
Concerts royaux, Concerto No. 2 in D Major: I. Prélude | François Couperin, Emanuel Abbühl, David Tomàs, Carla Sanfelix, Miklós Spányi, Benoît Fallai | F Minor | 0 | 4A | 101 BPM | ||
5 Romanzen und Gesänge, Op. 84: No. 4, Vergebliches Ständchen (Arr. Reger for Piano) | Johannes Brahms, Rudolf Buchbinder | B Minor | 0 | 10A | 124 BPM | ||
Keyboard Sonata in F Minor, Kk. 239 | Domenico Scarlatti, Giovanni Mazzocchin | F Minor | 2 | 4A | 141 BPM | ||
Serenade in E Major, Op. 23, No. 6, G. 150: VIII. Presto assai | Giovanni Battista Viotti, Mario Carbotta, Carlo Balzaretti | G Major | 2 | 9B | 90 BPM | ||
60 Études for Piano: No. 24 in G Major | Johann Baptist Cramer, Giorgio Farina | G Major | 5 | 9B | 131 BPM | ||
Suite No. 8 in F Minor, HWV 433: III. Allemande | George Frideric Handel, Angela Hewitt | E♭ Major | 1 | 5B | 84 BPM | ||
Les Nations - Premier Ordre - La Françoise; 9. Menuet | Jordi Savall, François Couperin | E♭ Minor | 2 | 2A | 85 BPM | ||
Save Yourself | KiriVi | F Major | 1 | 7B | 106 BPM |
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