Henry Eccles, Entcho Radoukanov, Ingrid Lindgren made "Double Bass Sonata: II. Courante: Allegro con spirito" available on April 1, 2012. With Double Bass Sonata: II. Courante: Allegro con spirito being less than two minutes long, at 1:36, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 13 in the song's album "Radoukanov, Entcho & Lindgren, Ingrid: Eccles, Haydn, Bottesini, Goens & Shostakovich". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Sweden. In terms of popularity, Double Bass Sonata: II. Courante: Allegro con spirito is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Double Bass Sonata: II. Courante: Allegro con spirito by Henry Eccles, Entcho Radoukanov, Ingrid Lindgren having a BPM of 119 with a half-time of 60 BPM and a double-time of 238 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Serenade No. 7 in D Major, K. 250, "Haffner": IV. Rondo (arr. E. Radoukanov) | Fritz Kreisler, Entcho Radoukanov, Wolfgang Amadeus Mozart, Stefan Lindgren | A Major | 1 | 11B | 132 BPM | ||
Ayres for the Violin: Fantasia | Nicola Matteis Sr., Isabelle Faust | A♭ Minor | 2 | 1A | 112 BPM | ||
Aria & Variations in A Minor, BuxWV 249 | Dietrich Buxtehude, Ensemble Mélero | A Major | 3 | 11B | 103 BPM | ||
Sonata g-moll: Adagio | Henry Eccles, Ivana Pokorná, Petr Přibyl | G Minor | 0 | 6A | 81 BPM | ||
Keyboard Sonata in G Major, Kk. 80 | Domenico Scarlatti, Sang Woo Kang | D Major | 1 | 10B | 101 BPM | ||
The Well-Tempered Clavier, Book 1, BWV 846-869: Fugue No. 23 in B major, BWV 868 | Luc Beauséjour | B♭ Major | 4 | 6B | 128 BPM | ||
Scarlatti, D: Keyboard Sonata in F Minor, Kk. 467 | Domenico Scarlatti, Scott Ross | E Major | 5 | 12B | 112 BPM | ||
Euphoria Temporis - Intermezzo - Klaviersonate Opus No. 6 - Karsten Masch | Karsten Masch | A Minor | 3 | 8A | 112 BPM | ||
Sonatas for Violin and Continuo, Book 1: Violin Sonata No. 5: II. Adagio | Henry Eccles, Callipygian Players | D♭ Major | 1 | 3B | 172 BPM | ||
Sonata No. 1 in A Major: III. 03 3. Andante | Francesco Geminiani, Kristin von der Goltz, Andreas Küppers, Hille Perl, Christoph Dangel, Thomas C. Boysen | A♭ Major | 1 | 4B | 78 BPM |
Section: 0.5323891639709473
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