Nicola Matteis Sr., Isabelle Faust's 'Ayres for the Violin: Fantasia' came out on October 20, 2023. With Ayres for the Violin: Fantasia being less than two minutes long, at 1:34, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 25 in the song's album "Solo: Matteis - Pisendel - Biber - Guillemain - Vilsmayr". In this album, this song's track order is #4. Furthermore, we believe that the track originated from France. In terms of popularity, Ayres for the Violin: Fantasia is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Ayres for the Violin: Fantasia by Nicola Matteis Sr., Isabelle Faust having a BPM of 112 with a half-time of 56 BPM and a double-time of 224 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song has a musical key of A♭ Minor. Which also means that the camelot key for this song is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata in C Major, Op. 5, No. 10 (arr. W. Babell and M. Blavet): III. Sarabanda: Largo (arr. W. Babell) | William Babell, Michel Blavet, Arcangelo Corelli, Stefan Temmingh, Olga Watts | E♭ Minor | 1 | 2A | 49 BPM | ||
24 Caprices en formes d'etudes: No. 12 in G-Sharp Minor | Pierre Rode, Axel Strauss | A♭ Minor | 1 | 1A | 63 BPM | ||
Chorale Partita ‘Was Gott tut, das ist wholgetan’, P379: V. Partita IV | Johann Pachelbel, Matthew Owens | D Major | 2 | 10B | 69 BPM | ||
Octet in F-Major, D.803: II. Adagio | Franz Schubert, Isabelle Faust, Anne-Katharina Schreiber, Danusha Waskiewicz, Kristin von der Goltz, James Munro, Lorenzo Coppola, Teunis van der Zwart, Javier Zafra | C Minor | 0 | 5A | 98 BPM | ||
Trio Sonata in G Major, RV 820: I. Allegro | Antonio Vivaldi, Hanna Salzenstein, Justin Taylor, Thibaut Roussel, Albéric Boullenois, Théotime Langlois de Swarte | D♭ Minor | 6 | 12A | 157 BPM | ||
Violin Sonata in A Major, Op. 5 No. 6 (Transcr. for Viola da Gamba and Continuo by Teodoro Baù): III. Allegro | Arcangelo Corelli, Teodoro Baù, Andrea Buccarella | F♯ Major | 4 | 2B | 129 BPM | ||
Three Pieces for String Quartet: I. | Igor Stravinsky, Isabelle Faust, Martial Gauthier, Carole Roth, Robin Michael | B Minor | 2 | 10A | 136 BPM | ||
Partita No. 3 in E Major, BWV 1006: VI. Bourrée | Johann Sebastian Bach, Isabelle Faust | D♭ Minor | 1 | 12A | 111 BPM | ||
Sonata da Camera Op.2 No.7 in F Major: 1. Preludio - Adagio | İzmir Barok | D♭ Minor | 4 | 12A | 121 BPM | ||
60 Études for Piano: No. 3 in A Minor | Johann Baptist Cramer, Giorgio Farina | A Minor | 2 | 8A | 68 BPM |
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