Georg Philipp Telemann, Hanna Herfurtner, Carola Gunther, Mirko Ludwig, Fabian Strotmann, Peter Kooij, Kölner Akademie, Michael Alexander Willens's 'Was für ein jauchzendes Gedränge, TWV 1:1509: No. 7, Gelobet sei, der da kömmt, gelobt sei Jesusin der Höhe' came out on July 16, 2021. With Was für ein jauchzendes Gedränge, TWV 1:1509: No. 7, Gelobet sei, der da kömmt, gelobt sei Jesusin der Höhe being less than two minutes long, at 1:12, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 33 in the song's album "Telemann: Christmas Cantatas, Vol. 3". In this album, this song's track order is #7. Furthermore, we believe that the track originated from Germany. Was für ein jauchzendes Gedränge, TWV 1:1509: No. 7, Gelobet sei, der da kömmt, gelobt sei Jesusin der Höhe is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Was für ein jauchzendes Gedränge, TWV 1:1509: No. 7, Gelobet sei, der da kömmt, gelobt sei Jesusin der Höhe by Georg Philipp Telemann, Hanna Herfurtner, Carola Gunther, Mirko Ludwig, Fabian Strotmann, Peter Kooij, Kölner Akademie, Michael Alexander Willens having a BPM of 81 with a half-time of 40 BPM and a double-time of 162 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of E♭ Minor. Which also means that the camelot key for this song is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Kuoro, Katselen Golgatalle Päin | Heikki Rainio, Ari Rautakoski, Cantio Laudis -kuoro, Sirkka Rautakoski | C Minor | 1 | 5A | 76 BPM | ||
III. Ich Hatte Viel Bekümmernis BWV 21, Prima Parte, 2. Coro: Ich Hatte Viel Bekümmernis | Pieter Jan Leusink, Will Wroth, Johann Sebastian Bach, Ruth Holton, Bas Ramselaar, Knut Schoch, Hendrik Jan Houtsma, Susan Williams, Peter Frankenberg, Frank Aarnink, Sytse Buwalda | B Minor | 1 | 10A | 80 BPM | ||
II. Der Friede Sei Mit Dir BWV 158, 4. Choral (Coro): Hier Ist Das Rechte Osterlamm | Holland Boys Choir, Netherlands Bach Collegium, Nico Van Der Meel, Ruth Holton, Sytse Buwalda, Johann Sebastian Bach, Bas Ramselaar, Pieter Jan Leusink | E♭ Minor | 1 | 2A | 144 BPM | ||
Laudate pueri Dominum: No. 4, Excelsus super omnes gentes Dominus | Johann Kuhnau, Tobias Hunger, Camerata Lipsiensis, Gregor Meyer | A Major | 1 | 11B | 96 BPM | ||
Missa Divi Xaverii, ZWV 12: Christe eleison | Jan Dismas Zelenka, Hana Blaziková, Collegium 1704, Vaclav Luks | F♯ Minor | 3 | 11A | 171 BPM | ||
I. Christ Lag In Todes Banden BWV 4, 2. Coro (Versus I): Christ Lag In Todes Banden | Holland Boys Choir, Netherlands Bach Collegium, Bas Ramselaar, Sytse Buwalda, Nico Van Der Meel, Johann Sebastian Bach, Ruth Holton, Pieter Jan Leusink | B Major | 1 | 1B | 71 BPM | ||
Der Mensch, ein Gottesmörder: Wir sind nun angelanget | Leopold Mozart, Harmonices Mundi, Bozen Baroque Ensemble, Claudio Astronio, Susanne Rydén | B♭ Major | 1 | 6B | 173 BPM | ||
Filen, mio caro bene, HanS 263: III. Chiedi pur ai monti (Aria) | Alessandro Scarlatti, Dorothee Oberlinger, Ensemble 1700, Helena Rasker | F♯ Minor | 1 | 11A | 98 BPM | ||
Telemann: Quintet for 2 Horns, 2 Violins and Continuo in F Major, TWV 44:7: III. Sarabande | Georg Philipp Telemann, Nikolaus Harnoncourt, Hermann Rohrer, Horst Fischer, Concentus Musicus Wien | A♭ Major | 9 | 4B | 124 BPM | ||
Laudate pueri, HWV 237: III. A solis ortu | George Frideric Handel, Carolyn Sampson, RIAS Kammerchor, Akademie für Alte Musik Berlin, Justin Doyle | D♭ Major | 2 | 3B | 108 BPM |
Section: 0.5247700214385986
End: 0.5283188819885254