George Frideric Handel, Carolyn Sampson, RIAS Kammerchor, Akademie für Alte Musik Berlin, Justin Doyle made "Laudate pueri, HWV 237: III. A solis ortu" available on March 29, 2024. With Laudate pueri, HWV 237: III. A solis ortu being less than two minutes long, at 1:26, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in George Frideric Handel, RIAS Kammerchor, Akademie für Alte Musik Berlin, Justin Doyle's "Handel: Dixit Dominus, Laudate pueri, Nisi Dominus" album is number 18 out of 23. On top of that, France appears to be the country where this track was created. In terms of popularity, Laudate pueri, HWV 237: III. A solis ortu is currently unknown. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Laudate pueri, HWV 237: III. A solis ortu by George Frideric Handel, Carolyn Sampson, RIAS Kammerchor, Akademie für Alte Musik Berlin, Justin Doyle to be Andante (at a walking pace) because the track has a tempo of 108 BPM, a half-time of 54BPM, and a double-time of 216 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rinaldo, HWV 7b: Act III Scene 11: Battaglia | George Frideric Handel, Marion Newman, Laura Whalen, Kimberley Barber, Jennifer Ens Modolo, Sean Watson, Barbara Hannigan, Giles Tomkins, Nicole Bower, Catherine Affleck, Melinda Delorme, Lenard Whiting, Opera in Concert, Aradia Ensemble, Kevin Mallon | A Major | 3 | 11B | 179 BPM | ||
Te Deum "de Lyon": XIV. Et rege eos | Henri Desmarets, Ensemble les Surprises, Louis-Noël Bestion de Camboulas | B♭ Major | 4 | 6B | 106 BPM | ||
The King shall rejoice: Alleluia! | George Frideric Handel, Choir of King's College, Cambridge, Cambridge, Academy of Ancient Music, Pavlo Beznosiuk, Alastair Ross, Benjamin Bayl, Stephen Cleobury | D♭ Major | 3 | 3B | 118 BPM | ||
From Samson (Act I): Sinfonia, HWV 57: II. Allegro | George Frideric Handel, Anthony Halstead, Christian Rutherford, The English Concert, Trevor Pinnock | F♯ Major | 4 | 2B | 117 BPM | ||
Concerto grosso in F Major, Op. 6, No. 2 HWV 320: III. Largo - Adagio - Larghetto andante, e piano | George Frideric Handel, Simon Standage, Elizabeth Wilcock, Anthony Pleeth, David Reichenberg, Sophia McKenna, Jeremy Ward, Robert Woolley, Trevor Pinnock, The English Concert | A♭ Minor | 1 | 1A | 157 BPM | ||
Vesperae solennes de Dominica, K. 321: IV. Laudate pueri | Wolfgang Amadeus Mozart, Greta de Reyghere, Marijke van Arnhem, Renaat Deckers, Jan van der Crabben, Capella Brugensis, Collegium Instrumentale Brugense, Patrick Peire | F Major | 1 | 7B | 96 BPM | ||
Requiem in C Minor: II. Graduale | Luigi Cherubini, Kammerchor Stuttgart, Hofkapelle Stuttgart, Frieder Bernius | D♭ Major | 3 | 3B | 114 BPM | ||
Missa Sancti Spiritus, ZWV 4: Sanctus | Jan Dismas Zelenka, Ensemble Inégal, Adam Viktora | B Major | 3 | 1B | 98 BPM | ||
Versi sopra la messa dell'apostoli, e feste doppie: VII. Ite, missa est | Giovanni Salvatore, Nova Schola Gregoriana, In Dulci Jubilo, Federico del Sordo, Alberto Turco | F♯ Major | 1 | 2B | 62 BPM | ||
Dies ist der Tag, Fk. 85: Choral: Heilger Geist in Himmels Throne | Wilhelm Friedemann Bach, Barbara Schlick, Claudia Schubert, Wilfried Jochens, Stephan Schreckenberger, Rheinische Kantorei, Kleine Konzert, Das, Hermann Max | D♭ Major | 1 | 3B | 80 BPM |
Section: 0.6229331493377686
End: 0.6292035579681396