George Frideric Handel, Choir of King's College, Cambridge, Cambridge, Academy of Ancient Music, Pavlo Beznosiuk, Alastair Ross, Benjamin Bayl, Stephen Cleobury made "The King shall rejoice: Alleluia!" available on September 1, 2001. The duration of The King shall rejoice: Alleluia! is about two minutes long, specifically at 2:46. This song does not appear to have any foul language. The King shall rejoice: Alleluia!'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in George Frideric Handel, Choir of King's College, Cambridge, Stephen Cleobury's "Handel Coronation Anthems" album is number 11 out of 26. In terms of popularity, The King shall rejoice: Alleluia! is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of The King shall rejoice: Alleluia! by George Frideric Handel, Choir of King's College, Cambridge, Cambridge, Academy of Ancient Music, Pavlo Beznosiuk, Alastair Ross, Benjamin Bayl, Stephen Cleobury to be Moderato (at a moderate speed) because the track has a tempo of 118 BPM, a half-time of 59BPM, and a double-time of 236 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Oboe Concerto in A minor, R.463: 3. Allegro | Antonio Vivaldi, Frank de Bruine, Susan Sheppard, Peter McCarthy, André Watts, Academy of Ancient Music, Christopher Hogwood | F♯ Major | 2 | 2B | 122 BPM | ||
Samson, HWV 57: Samson, HWV 57, Act III: Let the bright seraphim in burning row - Let their celestial concerts all unite | George Frideric Handel, Elin Manahan Thomas, The Cambridge Singers, Simon Cox, Aurora Orchestra | D Major | 2 | 10B | 107 BPM | ||
Missa Tempore Quadragesimae, MH 553: Kyrie | Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy Vashegyi | A Major | 0 | 11B | 77 BPM | ||
The Day of Resurrection (Mainz Gesangbuch) | Anonymous, Choir of King's College, Cambridge, Richard Farnes, Stephen Cleobury | B♭ Major | 1 | 6B | 101 BPM | ||
Missa brevis Sancti Joannis de Deo "Little Organ Mass" XXII:7: Sanctus - Allegro | American Bach Soloists | B♭ Major | 2 | 6B | 110 BPM | ||
Monteverdi: L'Orfeo, favola in musica, SV 318, Act 2: Ritornello - "Vi ricorda, o boschi ombrosi" (Orfeo) - Ritornello | Claudio Monteverdi, Emmanuelle Haïm | B♭ Minor | 2 | 3A | 132 BPM | ||
God is Gone Up | Gerald Finzi, Choir of St. John's College, Cambridge, Andrew Nethsingha | E Major | 2 | 12B | 82 BPM | ||
Missa brevis in B-Flat Major, K. 275: II. Gloria | Wolfgang Amadeus Mozart, Jens Wollenschläger, Anja Bittner, Gabriele Wunderer, Robert Morvai, Manfred Bittner, Kurpfälzisches Kammerochester Mannheim, Chamber Choir Of Europe, Nicol Matt | B Minor | 1 | 10A | 135 BPM | ||
Apollo e Dafne, HWV 122: Aria: Felicissima quest'alma (Most fortunate is this soul) (Dafne) | George Frideric Handel, Roberta Invernizzi, Thomas E. Bauer, La Risonanza, Fabio Bonizzoni | F♯ Major | 1 | 2B | 172 BPM | ||
Miller / Arr. Rutter, Webbe: When I Survey the Wondrous Cross | Edward Miller, Choir of King's College, Cambridge, Stephen Cleobury, Benjamin Bayl | E♭ Major | 1 | 5B | 77 BPM |
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