"Missa brevis in B-Flat Major, K. 275: II. Gloria" by Wolfgang Amadeus Mozart, Jens Wollenschläger, Anja Bittner, Gabriele Wunderer, Robert Morvai, Manfred Bittner, Kurpfälzisches Kammerochester Mannheim, Chamber Choir Of Europe, Nicol Matt was released on 2006. The duration of Missa brevis in B-Flat Major, K. 275: II. Gloria is about two minutes long, specifically at 2:54. This song does not appear to have any foul language. Missa brevis in B-Flat Major, K. 275: II. Gloria's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Wolfgang Amadeus Mozart, Chamber Choir Of Europe, Nicol Matt's "Mozart: Sacred Music, Vol. 2" album is number 55 out of 77. On top of that, Netherlands appears to be the country where this track was created. Based on our statistics, Missa brevis in B-Flat Major, K. 275: II. Gloria's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Missa brevis in B-Flat Major, K. 275: II. Gloria by Wolfgang Amadeus Mozart, Jens Wollenschläger, Anja Bittner, Gabriele Wunderer, Robert Morvai, Manfred Bittner, Kurpfälzisches Kammerochester Mannheim, Chamber Choir Of Europe, Nicol Matt to be Allegro (fast, quick, and bright) because the track has a tempo of 135 BPM, a half-time of 68BPM, and a double-time of 270 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
The music key of this track is B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mephisto Waltz No. 1, S. 514 | Franz Liszt, Khatia Buniatishvili | E Major | 2 | 12B | 132 BPM | ||
Piano Quartet in G Minor, K.478: II. Andante | Wolfgang Amadeus Mozart, Leif Ove Andsnes | B♭ Major | 0 | 6B | 140 BPM | ||
Schubert: 4 Impromptus, Op. 90, D. 899: No. 3 in G-Flat Major | Franz Schubert, Rudolf Buchbinder | G Major | 0 | 9B | 135 BPM | ||
Violin Sonata in A major, FWV 8: IV. Allegretto poco mosso | César Franck, Joshua Bell, Jeremy Denk | A Major | 1 | 11B | 94 BPM | ||
Concerto Grosso in D Major, Op. 1, No. 5: I. Largo | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | D Major | 1 | 10B | 119 BPM | ||
Schwanengesang, S. 560: Schubert - Schwanengesang, S. 560/R. 245: No. 7, Standchen (Leise flehen meine Lieder) [After F. Schubert] | Franz Liszt, Oxana Yablonskaya | D Major | 0 | 10B | 66 BPM | ||
L'Arlésienne Suite No. 2: Menuet | Georges Bizet, Orchestre Symphonique de Montréal, Charles Dutoit | E♭ Major | 0 | 5B | 128 BPM | ||
Antiche Danze Ed Arie Per Liuto (Ancient Airs And Dances), P. 114: IV. Italiana | Ottorino Respighi, Konstantin Scherbakov | B Minor | 0 | 10A | 197 BPM | ||
Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio | Max Bruch, Itzhak Perlman, Bernard Haitink, Royal Concertgebouw Orchestra | E♭ Major | 1 | 5B | 87 BPM | ||
Keyboard Sonatina in C Major, Op. 36, No. 1: I. Allegro | Muzio Clementi, Chun-Young June | G Major | 2 | 9B | 100 BPM |
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