Henri Desmarets, Ensemble les Surprises, Louis-Noël Bestion de Camboulas made "Te Deum "de Lyon": XIV. Et rege eos" available on January 5, 2024. With Te Deum "de Lyon": XIV. Et rege eos being less than two minutes long, at 1:02, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 23 out of 28 in Charpentier & Desmarest: Te Deum by Ensemble les Surprises, Louis-Noël Bestion de Camboulas. Going off of the ISRC code of this track, we detected that the origin of this track is from France. In terms of popularity, Te Deum "de Lyon": XIV. Et rege eos is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Te Deum "de Lyon": XIV. Et rege eos by Henri Desmarets, Ensemble les Surprises, Louis-Noël Bestion de Camboulas is Andante (at a walking pace), since this song has a tempo of 106 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Missa pro Defunctis in E-Flat Major, HocJ A1.3: VI. Benedictus, 1. Benedictus qui venit in nomine Domini | Niccolò Jommelli, Gudrun Sidonie Otto, Il Gardellino, Peter Van Heyghen | B Minor | 1 | 10A | 142 BPM | ||
Laudate pueri Dominum: No. 4, Excelsus super omnes gentes Dominus | Johann Kuhnau, Tobias Hunger, Camerata Lipsiensis, Gregor Meyer | A Major | 1 | 11B | 96 BPM | ||
Israel in Egypt, HWV 54: Part II, The Exodus: He smote all the first-born of Egypt (Chorus) | George Frideric Handel, Laura Albino, Nils Brown, Jennifer Ens Modolo, Peter Mahon, Eve Rachel McLeod, Jason Nedecky, Bud Roach, Jennie Such, Sean Watson, Aradia Ensemble, Kevin Mallon | B Major | 3 | 1B | 108 BPM | ||
Te Deum "de Lyon": III. Te gloriosus apostolorum chorus | Henri Desmarets, Ensemble les Surprises, Louis-Noël Bestion de Camboulas, Eugénie Lefebvre | B♭ Major | 4 | 6B | 106 BPM | ||
Israel in Egypt, HWV 54: Part I: Part I: How is the mighty fall'n! (Chorus) | George Frideric Handel, Rosemary Joshua, Atzuko Suzuki, Gerhild Romberger, Kobie Van Rensburg, Simon Pauly, Thomas Hamberger, Harald Hoeren, Christoph Lehmann, Max Hanft, Bavarian Radio Chorus, Concerto Köln, Peter Dijkstra | B Major | 4 | 1B | 111 BPM | ||
Missa Paschalis, ZWV 7: Kyrie. Kyrie eleison II | Jan Dismas Zelenka, Inégal Ensemble, Adam Viktora, Gabriela Eibenová, Marian Krejcik, Terry Wey, Cyril Auvity | F♯ Minor | 2 | 11A | 128 BPM | ||
Charpentier: Te Deum, H. 146: XI. Fiat misericordia | Marc-Antoine Charpentier, Sir Neville Marriner, Academy of St. Martin in the Fields, Ann Murray, Dawn Upshaw, Kurt Moll | A Minor | 2 | 8A | 73 BPM | ||
Exaudiat te Dominus, LWV 77 No. 15: VII. Domine, salvum fac regem | Jean-Baptiste Lully, Stephane Fuget, Les Épopées, Les Pages & Les Chantres du Centre de Musique Baroque de Versailles | B♭ Major | 6 | 6B | 94 BPM | ||
Gloria, ZWV 30: V. Qui sedes | Jan Dismas Zelenka, Collegium 1704, Collegium Vocale 1704, Vaclav Luks | E Major | 1 | 12B | 84 BPM | ||
The Dream of Gerontius, Op. 38, Pt. 1: Rouse thee, my fainting soul | Edward Elgar, Gabrieli, Paul McCreesh, Nicky Spence | D Major | 0 | 10B | 85 BPM |
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