"Sonata for Violin and Piano No. 4 "Children's Day at the Camp Meeting": III. Allegro" by Charles Ives, Hilary Hahn, Valentina Lisitsa was released on January 1, 2011. With Sonata for Violin and Piano No. 4 "Children's Day at the Camp Meeting": III. Allegro being less than two minutes long, at 1:42, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 12 out of 12 in Charles Ives: Four Sonatas by Charles Ives, Hilary Hahn, Valentina Lisitsa. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Sonata for Violin and Piano No. 4 "Children's Day at the Camp Meeting": III. Allegro is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Sonata for Violin and Piano No. 4 "Children's Day at the Camp Meeting": III. Allegro by Charles Ives, Hilary Hahn, Valentina Lisitsa is Moderato (at a moderate speed), since this song has a tempo of 119 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Japanese Suite, Op. 33: V. Dance under the Cherry Tree | Gustav Holst, Ulster Orchestra, Joann Falletta | B♭ Major | 0 | 6B | 85 BPM | ||
Sonata for Violin and Piano No. 4 "Children's Day at the Camp Meeting": I. Allegro | Charles Ives, Hilary Hahn, Valentina Lisitsa | A Minor | 1 | 8A | 72 BPM | ||
Phantasy Quintet: I. Prelude | Ralph Vaughan Williams, Medici String Quartet, Simon Rowland-Jones | F Major | 0 | 7B | 86 BPM | ||
Elgar: Cello Concerto in E Minor, Op. 85: II. Lento - Allegro molto | Edward Elgar, Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | G Major | 2 | 9B | 87 BPM | ||
Stravinsky: The Rite of Spring, Pt. 1 "Adoration of the Earth": Introduction - Augurs of Spring - Dances of the Young Girls - Ritual of Abduction | Igor Stravinsky, Sir Simon Rattle, City Of Birmingham Symphony Orchestra | A Major | 1 | 11B | 103 BPM | ||
Set No. 1 for Chamber Orchestra: V. Calcium Light Night | Charles Ives, Orchestra New England, James Sinclair | D Major | 3 | 10B | 118 BPM | ||
The White Peacock | Charles Griffes, Buffalo Philharmonic Orchestra, Joann Falletta | B Major | 3 | 1B | 81 BPM | ||
Sinfonietta No. 2: I. Notturno: Adagio | Krzysztof Penderecki, Artur Pachlewski, Warsaw Philharmonic Chamber Orchestra, Antoni Wit | B♭ Minor | 0 | 3A | 76 BPM | ||
Quatuor pour la fin du Temps: V. Louange à l'Éternité de Jésus | Olivier Messiaen, Robert Plane, Gould Piano Trio | E Major | 0 | 12B | 81 BPM | ||
The Planets, Op. 32: III. Mercury, the Winged Messenger | Gustav Holst, Daniel Harding, Symphonieorchester des Bayerischen Rundfunks | A♭ Major | 0 | 4B | 64 BPM |
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