"Sinfonietta No. 2: I. Notturno: Adagio" by Krzysztof Penderecki, Artur Pachlewski, Warsaw Philharmonic Chamber Orchestra, Antoni Wit was released on February 7, 2012. The duration of Sinfonietta No. 2: I. Notturno: Adagio is about 3 minutes long, at 3:15. Based on our data, "Sinfonietta No. 2: I. Notturno: Adagio" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 13 in the song's album "Penderecki: Sinfoniettas - Oboe Capriccio". In this album, this song's track order is #10. Sinfonietta No. 2: I. Notturno: Adagio is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Sinfonietta No. 2: I. Notturno: Adagio by Krzysztof Penderecki, Artur Pachlewski, Warsaw Philharmonic Chamber Orchestra, Antoni Wit having a BPM of 76 with a half-time of 38 BPM and a double-time of 152 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of B♭ Minor. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Antiche danze ed arie per liuto, Suite No. 3, P. 172: I. Italiana. Andantino | Ottorino Respighi, Orchestra Filarmonica Della Scala, Riccardo Chailly | B♭ Major | 1 | 6B | 172 BPM | ||
Symphony No. 2 In C Minor - "Resurrection" / 1st Movement - Allegro maestoso (Totenfeier): Im Tempo nachgeben | Gustav Mahler, Wiener Philharmoniker, Gilbert Kaplan | B Major | 1 | 1B | 152 BPM | ||
Les Boréades, RCT 31, Acte IV, Scène IV: Entrée pour les Muses, les Zéphyres, les Saisons, les Heures et les Arts | Jean-Philippe Rameau, Teodor Currentzis | D♭ Major | 1 | 3B | 130 BPM | ||
Il bell'Antonio, Tema III | Giovanni Sollima, Yo-Yo Ma, Kathryn Stott | C Minor | 1 | 5A | 88 BPM | ||
Choral-Vatiationen: Var. I. In canone all'Ottava | Igor Stravinsky, Philippe Herreweghe, Royal Flemish Philharmonic, Collegium Vocale Gent | C Major | 1 | 8B | 93 BPM | ||
Sinfonietta No. 1: II. Vivace | Krzysztof Penderecki, Jakub Haufa, Artur Paciorkiewicz, Jerzy Klocek, Sinfonia Varsovia | D Minor | 3 | 7A | 95 BPM | ||
Złożenie Chrystusa do Grobu: I. Irmos | Krzysztof Penderecki, Andrzej Markowski | G Minor | 6 | 6A | 175 BPM | ||
Peer Gynt Suite No. 1, Op. 46: II. Åse's Death | Edvard Grieg, Wiener Philharmoniker, Zubin Mehta | G Major | 0 | 9B | 99 BPM | ||
Piano Concerto No. 2 Op. 102 in F Major: II. Andante | Dmitri Shostakovich, Alexander Melnikov, Mahler Chamber Orchestra, Teodor Currentzis | C Minor | 0 | 5A | 78 BPM | ||
Symphony No. 7, "7 Gates of Jerusalem": II. Si oblitus fuero tui, Jerusalem | Krzysztof Penderecki, Gustaw Holoubek, Bozena Harasimowicz Hass, Izabela Klosinska, Ewa Podles, Wiesław Ochman, Romuald Tesarowicz, Warsaw Philharmonic Choir, Warsaw Philharmonic Orchestra, Kazimierz Kord | D♭ Major | 0 | 3B | 108 BPM |
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