"Sonata for Violin and Piano No. 4 "Children's Day at the Camp Meeting": I. Allegro" by Charles Ives, Hilary Hahn, Valentina Lisitsa was released on January 1, 2011. The duration of Sonata for Violin and Piano No. 4 "Children's Day at the Camp Meeting": I. Allegro is about two minutes long, specifically at 2:04. This song does not appear to have any foul language. Sonata for Violin and Piano No. 4 "Children's Day at the Camp Meeting": I. Allegro's duration is considered a little bit shorter than the average duration of a typical track. The song is number 10 out of 12 in Charles Ives: Four Sonatas by Charles Ives, Hilary Hahn, Valentina Lisitsa. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Sonata for Violin and Piano No. 4 "Children's Day at the Camp Meeting": I. Allegro is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Sonata for Violin and Piano No. 4 "Children's Day at the Camp Meeting": I. Allegro by Charles Ives, Hilary Hahn, Valentina Lisitsa is Adagio (slowly with great expression), since this song has a tempo of 72 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Danzas Populares Andinas: No. 4, Andante | Celso Garrido-Lecca, The Norwegian Radio Orchestra, Miguel Harth-Bedoya | E Minor | 0 | 9A | 78 BPM | ||
Stille Musik: 1. Walzer des Augenblicks | Valentin Silvestrov, Munich Chamber Orchestra | A Minor | 0 | 8A | 60 BPM | ||
Ein Heldenleben, Op. 40, TrV 190: VI. Gewissheit des Sieges | Richard Strauss, Orchestre Symphonique de Montréal, Rafael Payare | F Major | 0 | 7B | 131 BPM | ||
Ligeti : Romanian Concerto : III Adagio, ma non troppo | György Ligeti, Jonathan Nott, Berliner Philharmoniker | F Major | 0 | 7B | 73 BPM | ||
Falla: El sombrero de tres picos, Pt. 2: Danza de los vecinos | Manuel de Falla, Sir Neville Marriner, Academy of St. Martin in the Fields | F Major | 0 | 7B | 121 BPM | ||
Set No. 10 of 3 Pieces for Chamber Orchestra (Arr. for Chamber Orchestra by James Sinclair): I. Largo molto "Like a Sick Eagle | Charles Ives, Orchestra New England, James Sinclair | A Major | 1 | 11B | 94 BPM | ||
Sonata for Violin and Piano: II. Blues / Moderato | Maurice Ravel, Renaud Capuçon, Franck Braley | F Minor | 1 | 4A | 114 BPM | ||
Symphony in E Minor, Op. 32, "Gaelic Symphony": II. Alla siciliana - Allegro vivace - Andante | Amy Beach, Nashville Symphony Orchestra, Kenneth Schermerhorn | F Major | 0 | 7B | 122 BPM | ||
Bliss: Cello Concerto: II. Larghetto | Arthur Bliss, Arto Noras, Bournemouth Symphony Orchestra, Paavo Berglund | C Major | 1 | 8B | 95 BPM | ||
A PLAY ABOUT GHOSTS | ЧЕПЦОВ Александр, LEX STONE | D Major | 2 | 10B | 178 BPM |
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