"Danzas Populares Andinas: No. 4, Andante" by Celso Garrido-Lecca, The Norwegian Radio Orchestra, Miguel Harth-Bedoya was released on December 2, 2016. The duration of Danzas Populares Andinas: No. 4, Andante is about 3 minutes long, at 3:29. Based on our data, "Danzas Populares Andinas: No. 4, Andante" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 4 out of 18 in Celso Garrido-Lecca: Orchestral Works by Celso Garrido-Lecca, The Norwegian Radio Orchestra, Fort Worth Symphony Orchestra, Miguel Harth-Bedoya. Danzas Populares Andinas: No. 4, Andante is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Danzas Populares Andinas: No. 4, Andante by Celso Garrido-Lecca, The Norwegian Radio Orchestra, Miguel Harth-Bedoya is Andante (at a walking pace), since this song has a tempo of 78 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cinderella: 2. Her Fairy Godmother calls her softly and she gradually wakes | Eric Coates, BBC Philharmonic Orchestra, John Wilson | D Major | 3 | 10B | 118 BPM | ||
Grieg: Lyric Suite, Op. 54: II. Norwegian March | Edvard Grieg, The Norwegian Radio Orchestra, Ari Rasilainen | G Major | 1 | 9B | 134 BPM | ||
Notre Dame, Op. 2: Carnival Music. Sehr breit - Mäßig schnell | Franz Schmidt, Jonathan Berman, BBC National Orchestra Of Wales | B♭ Major | 1 | 6B | 88 BPM | ||
Prokofiev: Symphony No. 1 in D Major, Op. 25 "Classical": II. Larghetto | Sergei Prokofiev, Aziz Shokhakimov, Orchestre Philharmonique De Strasbourg | D Minor | 1 | 7A | 105 BPM | ||
Symphonic Dances, Op. 64: III. Allegro giocoso | Edvard Grieg, Bergen Philharmonic Orchestra, Edward Gardner | F Minor | 1 | 4A | 73 BPM | ||
Sibelius: Symphony No. 5 in E-Flat Major, Op. 82: III. Allegro molto (1915 Version) | Jean Sibelius, San Francisco Symphony, Esa-Pekka Salonen | E♭ Major | 1 | 5B | 76 BPM | ||
Symphony No. 2 in C minor, Op. 29: I. Andante | Alexander Scriabin, Brussels Philharmonic, Kazushi Ono | A♭ Major | 1 | 4B | 80 BPM | ||
Violin Concerto No. 1 in D Major: II. Andante | Florence Beatrice Price, Randall Goosby, Philadelphia Orchestra, Yannick Nézet-Séguin | C Major | 2 | 8B | 85 BPM | ||
Pulcinella Suite: IV. Tarantella | Igor Stravinsky, Pablo Heras-Casado, Mahler Chamber Orchestra | C Major | 0 | 8B | 140 BPM | ||
The Dream of Gerontius, Op. 38, Pt. 1: Prelude | Edward Elgar, Gabrieli, Paul McCreesh | D Major | 0 | 10B | 85 BPM |
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