Richard Wagner, Ferdinand Frantz, Angelo Mattiello, Günther Treptow, Joachim Sattler, Ludwig Weber, Albert Emmerich, Alois Pernerstorfer, Emil Markwort, Elisabeth Höngen, Walburga Wegener, Margret Weth-Falke, Magda Gabory, Margareta Kenney, Sieglinde Wagner, Orchestra Del Teatro Alla Scala, Milano, Wilhelm Furtwängler's 'Das Rheingold: Scene 1: Der Welt Erbe gewann' ich zu eigen durch dich? (Alberich)' came out on July 3, 2012. With this song being about 5 minutes long, at 4:55, "Das Rheingold: Scene 1: Der Welt Erbe gewann' ich zu eigen durch dich? (Alberich)" by Richard Wagner, Ferdinand Frantz, Angelo Mattiello, Günther Treptow, Joachim Sattler, Ludwig Weber, Albert Emmerich, Alois Pernerstorfer, Emil Markwort, Elisabeth Höngen, Walburga Wegener, Margret Weth-Falke, Magda Gabory, Margareta Kenney, Sieglinde Wagner, Orchestra Del Teatro Alla Scala, Milano, Wilhelm Furtwängler is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Wilhelm Furtwangler Conducts Richard Wagner's Der Ring des Nibelungen (Milan 1950) by Richard Wagner, Wilhelm Furtwängler. The song's track number on the album is #7 out of 259 tracks. Based on our data, United States was the country where this track was produced or recorded. In terms of popularity, Das Rheingold: Scene 1: Der Welt Erbe gewann' ich zu eigen durch dich? (Alberich) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Das Rheingold: Scene 1: Der Welt Erbe gewann' ich zu eigen durch dich? (Alberich) by Richard Wagner, Ferdinand Frantz, Angelo Mattiello, Günther Treptow, Joachim Sattler, Ludwig Weber, Albert Emmerich, Alois Pernerstorfer, Emil Markwort, Elisabeth Höngen, Walburga Wegener, Margret Weth-Falke, Magda Gabory, Margareta Kenney, Sieglinde Wagner, Orchestra Del Teatro Alla Scala, Milano, Wilhelm Furtwängler has a tempo of 114 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With Das Rheingold: Scene 1: Der Welt Erbe gewann' ich zu eigen durch dich? (Alberich) being at 114 BPM, the half-time would be 57 BPM with a double-time of 228 BPM.In addition, we consider the tempo speed to be pretty moderate for this song. The time signature for this track is 3/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mozart: Don Giovanni, K. 527, Act 1: "Notte e giorno faticar" (Leporello, Donna Anna, Don Giovanni, Il Commendatore) | Wolfgang Amadeus Mozart, Riccardo Muti, Cheryl Studer, Jan-Hendrik Rootering, Samuel Ramey, William Schimell, Wiener Philharmoniker | F Major | 2 | 7B | 94 BPM | ||
Le Nozze di Figaro, K. 492: Sinfonia | Wolfgang Amadeus Mozart, Concerto Köln, René Jacobs | D Major | 1 | 10B | 142 BPM | ||
Das Rheingold, WWV 86A / Scene 4: "Schwüles Gedünst schwebt in der Luft" | Richard Wagner, Eberhard Wächter, Waldemar Kmentt, Wiener Philharmoniker, Sir Georg Solti | E♭ Major | 0 | 5B | 84 BPM | ||
Capriccio Espagnol: Alborada | Nikolai Rimsky-Korsakov, London Philharmonic Orchestra, Alexander Lazarev, Joakim Svenheden | A Major | 4 | 11B | 126 BPM | ||
Scheherazade: Sea Birds | Nikolai Rimsky-Korsakov, Joakim Svenheden | E Major | 1 | 12B | 46 BPM | ||
Variations on an Original Theme, Op. 36 "Enigma": 9. Nimrod (Adagio) | Edward Elgar, Philharmonia Orchestra, Giuseppe Sinopoli | E♭ Major | 1 | 5B | 66 BPM | ||
Eine Symphonie zu Dantes Divina Commedia, S109/R426, "Dante Symphony": I. Inferno: Lento | Franz Liszt, Veronika Kincses, Hungarian Radio and Television Ladies Chorus, Budapest Symphony Orchestra, György Lehel | G Major | 4 | 9B | 169 BPM | ||
Khovanshchina: Overture (Prelude) | Modest Mussorgsky, Mariinsky Orchestra, Valery Gergiev | D♭ Major | 0 | 3B | 90 BPM | ||
Pelléas et Mélisande, L.88 / Act 3: "Mes longs cheveux descendent" | Claude Debussy, Francois Le Roux, Maria Ewing, Wiener Philharmoniker, Claudio Abbado | A Minor | 1 | 8A | 123 BPM | ||
Symphony No. 5 in C Minor, Op. 67: III. Allegro | Ludwig van Beethoven, Wiener Philharmoniker, Carlos Kleiber | A♭ Major | 1 | 4B | 82 BPM |
Section: 0.6529912948608398
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