"Sì dolce è'l tormento, SV 332" by Claudio Monteverdi, Anne Sofie von Otter, Cappella Mediterranea, Leonardo García-Alarcón was released on September 10, 2012. With this song being around four minutes long, at 4:06, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 12 in the song's album "Sogno barocco". In this album, this song's track order is #1. Furthermore, we believe that the track originated from France. Sì dolce è'l tormento, SV 332 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Sì dolce è'l tormento, SV 332 by Claudio Monteverdi, Anne Sofie von Otter, Cappella Mediterranea, Leonardo García-Alarcón having a BPM of 75 with a half-time of 38 BPM and a double-time of 150 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 5/4.
B♭ Minor is the music key of this track. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rückert-Lieder: Ich bin der Welt abhanden gekommen | Gustav Mahler, Anne Sofie von Otter, NDR Elbphilharmonie Orchester, John Eliot Gardiner | C Minor | 0 | 5A | 77 BPM | ||
Handel: Ode for the Birthday of Queen Anne, HWV 74: "Eternal Source of Light Divine" | George Frideric Handel, Jupiter, Thomas Dunford, Iestyn Davies, Lea Desandre | E Minor | 1 | 9A | 59 BPM | ||
Missa pro Defunctis in E-Flat Major, HocJ A1.3: I. Introitus, "Requiem æternam" | Niccolò Jommelli, Miriam Feuersinger, Gaia Petrone, Il Gardellino, Peter Van Heyghen | D Major | 0 | 10B | 77 BPM | ||
Rinaldo / Act 2: Lascia ch'io pianga | George Frideric Handel, Cecilia Bartoli, Academy of Ancient Music, Christopher Hogwood | E Major | 1 | 12B | 176 BPM | ||
Il diluvio universale, Act I "In Cielo": O Giustizia Divina | Michelangelo Falvetti, Leonardo García-Alarcón, Chœur De Chambre De Namur, Cappella Mediterranea | A♭ Minor | 0 | 1A | 124 BPM | ||
Dowland / Transcr. Garcia: A Musicall Banquet: No. 3, In Darkness Let Me Dwell | John Dowland, Philippe Jaroussky, Thibaut García | G Minor | 0 | 6A | 59 BPM | ||
The Dream of Gerontius, Op. 38: No. 16, "The Mind Bold and Independent" | Edward Elgar, Anne Sofie von Otter, London Symphony Orchestra, Sir Colin Davis | D Major | 0 | 10B | 84 BPM | ||
Strozzi: Cantate, ariette e duetti, Op. 2: L'Eraclito amoroso | Barbara Strozzi, Emmanuelle Haïm, Le Concert d'Astrée | E♭ Minor | 0 | 2A | 64 BPM | ||
La Betulia liberata: Aria "Prigionier che fa ritorno" | Niccolò Jommelli, Delphine Galou, Accademia Bizantina, Ottavio Dantone | D♭ Major | 1 | 3B | 139 BPM | ||
Zigeunerlieder Op. 103: II. Hochgetürmte Rimaflut | Johannes Brahms, Anne Sofie von Otter, Bengt Forsberg | E Major | 0 | 12B | 81 BPM |
Section: 0.7027475833892822
End: 0.7069060802459717