"Strozzi: Cantate, ariette e duetti, Op. 2: L'Eraclito amoroso" by Barbara Strozzi, Emmanuelle Haïm, Le Concert d'Astrée was released on September 15, 2008. Strozzi: Cantate, ariette e duetti, Op. 2: L'Eraclito amoroso is about six minutes long, preciously at 5:59, making this song fairly long compared to other songs. There is only one song in 'Lamenti', so we believe that "Strozzi: Cantate, ariette e duetti, Op. 2: L'Eraclito amoroso" is a single. Strozzi: Cantate, ariette e duetti, Op. 2: L'Eraclito amoroso is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Strozzi: Cantate, ariette e duetti, Op. 2: L'Eraclito amoroso by Barbara Strozzi, Emmanuelle Haïm, Le Concert d'Astrée is Larghetto (rather broadly), since this song has a tempo of 64 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
E♭ Minor is the music key of this track. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Handel: Tolomeo, re d'Egitto, HWV 25, Act 3: "Stille amare" (Tolomeo) | George Frideric Handel, Philippe Jaroussky | A Minor | 0 | 8A | 121 BPM | ||
Pergolesi: Stabat mater: XII. Quando corpus morietur | Giovanni Battista Pergolesi, Philippe Jaroussky, Diego Fasolis, I Barocchisti | A Minor | 0 | 8A | 73 BPM | ||
Boretti: Eliogabalo, Act 3: "Chi scherza con Amor" (Eliogabalo) | Giovanni Antonio Boretti, Jakub Józef Orliński, Maxim Emelyanychev, Il Pomo D'oro | B♭ Minor | 3 | 3A | 82 BPM | ||
Requiem No. 1 in C Minor: Introitus et Kyrie: Requiem aeternam | Luigi Cherubini, Radio Svizzera Choir, Lugano, Radio Svizzera Italiana Orchestra, Diego Fasolis | C Minor | 0 | 5A | 83 BPM | ||
In furore iustissimae irae, RV 626: IV. Allegro | Antonio Vivaldi, Sandrine Piau, Accademia Bizantina, Ottavio Dantone, Stefano Montanari | B Minor | 2 | 10A | 125 BPM | ||
Stabat Mater: Eja Mater, fons amoris… Fac, ut ardeat … Sancta Mater… Tui nati vulnerati | Agostino Steffani, Cecilia Bartoli, Franco Fagioli, Coro della Radiotelevisione Svizzera, Daniel Behle, Julian Prégardian, I Barocchisti, Diego Fasolis | G Minor | 3 | 6A | 87 BPM | ||
Dido and Aeneas, Z.626 / Act 3: "Thy Hand Belinda - When I Am Laid In Earth" | Henry Purcell, Catherine Bott, Academy of Ancient Music, Christopher Hogwood | F♯ Minor | 0 | 11A | 83 BPM | ||
Orfeo ed Euridice: Act II, Scene 1, Coro e Orfeo: Ah! Quale incognito -Men tiranne ah, voi sareste - Ah! Quale incognito | Christoph Willibald Gluck, René Jacobs, Bernarda Fink, Freiburger Barockorchester, RIAS Kammerchor | C Major | 0 | 8B | 70 BPM | ||
Bach, JS: Magnificat in D Major, BWV 243: VII. Chorus. "Fecit potentiam in brachio suo" | Johann Sebastian Bach, Emmanuelle Haïm, Le Choeur du Concert d'Astrée | F♯ Minor | 4 | 11A | 132 BPM | ||
Requiem, Op. 48: Libera me | Gabriel Fauré, Collegium Vocale Gent, La Chapelle Royale, Stephan Genz, Philippe Herreweghe | D Minor | 0 | 7A | 62 BPM |
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