On April 8, 2009, the song "Solo Sesso E Rock 'N' Roll" was released by Paolo Pellegrini. With this song being around four minutes long, at 3:43, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 7 out of 14 in Bevendo La Vita by Paolo Pellegrini. Based on our statistics, Solo Sesso E Rock 'N' Roll's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Solo Sesso E Rock 'N' Roll by Paolo Pellegrini is Allegro (fast, quick, and bright), since this song has a tempo of 128 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Puccini: Turandot, Act 2: "No, no, Principessa, altera!" (Calaf, Coro, Altoum) | Giacomo Puccini, Antonio Pappano, Coro dell'Accademia Nazionale Di Santa Cecilia, Jonas Kaufmann, Michael Spyres, Orchestra dell'Accademia Nazionale di Santa Cecilia | C Major | 1 | 8B | 81 BPM | ||
Lucia di Lammermoor, Act II: Ebben? - Di tua speranza | Gaetano Donizetti, Zuzana Markova, Mariano Buccino, Orchestra del Teatro Carlo Felice di Genova, Andriy Yurkevych | B♭ Major | 2 | 6B | 84 BPM | ||
Alceste (Sung in French), Act I: Act I: Air: Divinites du Styx (Alcestis) | Christoph Willibald Gluck, Jessye Norman, Bavarian Radio Symphony Orchestra, Serge Baudo | F Major | 2 | 7B | 73 BPM | ||
Mefistofele: Epilogue - Ave Signor - Odi il canto d'amor | Arrigo Boito, Riccardo Muti | E Major | 4 | 12B | 139 BPM | ||
Cavalleria rusticana: Part I: Dite, mamma Lucia (Santuzza, Lucia) | Pietro Mascagni, Maria Callas, Giuseppe Di Stefano, Rolando Panerai, Anna Maria Canali, Ebe Ticozzi, Vittore Veneziani, Milan La Scala Chorus, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin | E Minor | 1 | 9A | 81 BPM | ||
La Boheme, erster Akt: A te l'Atto primo | Coro del Teatro Municipale di Reggio Emilia, Orchestra del Teatro Municipale di Reggio Emilia, Francesco Molinari-Pradelli | G Major | 1 | 9B | 109 BPM | ||
L'italiana in Algeri: Atto I. Duetto. Ai capricci della sorte | Gioachino Rossini, Vasilisa Berzhanskaya, Pablo Ruiz, Orchestra Of The 18th Century, Giancarlo Andretta | A♭ Major | 2 | 4B | 98 BPM | ||
Leoncavallo: I pagliacci, Act 2: "Ah! Colombina, il tenero" (Beppe) | Ruggero Leoncavallo, Tullio Serafin, Nicola Monti, Orchestra Del Teatro Alla Scala, Milano | B♭ Major | 3 | 6B | 75 BPM | ||
Don Giovanni, K.527, Act II: Aria. "Mi tradì quest"alma ingrata" | Wolfgang Amadeus Mozart, Golda Schultz, Kammerakademie Potsdam, Antonello Manacorda | G Major | 3 | 9B | 123 BPM | ||
Ernani: Fragment IV | Vincenzo Bellini, Patrizia Morandini, Rosanna Savoia, Paolo Pellegrini, Patrizio Saudelli, Nino Batatunashvili, Oltenia Philharmonic Orchestra, Franco Piva | C Major | 1 | 8B | 94 BPM |
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