"Don Giovanni, K.527, Act II: Aria. "Mi tradì quest"alma ingrata"" by Wolfgang Amadeus Mozart, Golda Schultz, Kammerakademie Potsdam, Antonello Manacorda had its release date on April 12, 2024. With this song being around four minutes long, at 3:45, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Wolfgang Amadeus Mozart, Golda Schultz, Antonello Manacorda, Kammerakademie Potsdam's "Mozart, You Drive Me Crazy!" album is number 10 out of 17. On top of that, France appears to be the country where this track was created. Based on our statistics, Don Giovanni, K.527, Act II: Aria. "Mi tradì quest"alma ingrata"'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Don Giovanni, K.527, Act II: Aria. "Mi tradì quest"alma ingrata" by Wolfgang Amadeus Mozart, Golda Schultz, Kammerakademie Potsdam, Antonello Manacorda to be Allegro (fast, quick, and bright) because the track has a tempo of 123 BPM, a half-time of 62BPM, and a double-time of 246 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
The music key of this track is G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Il barbiere di Siviglia / Act 1: "Se il mio nome saper voi bramate" - "Oh cielo!" (Conte, Rosina, Figaro / Conte, Figaro) | Gioachino Rossini, Nicola Monti, Gianna D'Angelo, Renato Capecchi, Bavarian Radio Symphony Orchestra, Bruno Bartoletti | C Major | 1 | 8B | 102 BPM | ||
La Cenerentola / Act 1: "O figlie amabili" | Gioachino Rossini, Margherita Guglielmi, Laura Zannini, Teresa Berganza, Ugo Trama, London Symphony Orchestra, Claudio Abbado, Scottish Opera Chorus, Arthur Oldham | F Major | 2 | 7B | 86 BPM | ||
Puccini: Turandot, Act 2: "O Principi, che a lunghe carovane" (Turandot, Calaf, Coro) | Giacomo Puccini, Antonio Pappano, Coro dell'Accademia Nazionale Di Santa Cecilia, Jonas Kaufmann, Sondra Radvanovsky, Orchestra dell'Accademia Nazionale di Santa Cecilia | B♭ Minor | 2 | 3A | 93 BPM | ||
La Gioconda, Op. 9: "Enzo Grimaldo, Principe di Santafior, che pensi?" | Amilcare Ponchielli, Jonas Kaufmann, Ludovic Tezier, Antonio Pappano, Orchestra of the Accademia di Santa Cecilia, Rome | F Minor | 0 | 4A | 167 BPM | ||
Bellini: La sonnambula, Act 2: "Ah! non credea mirarti" (Amina, Elvino) | Vincenzo Bellini, Maria Callas, Nicola Monti, Orchestra Del Teatro Alla Scala, Milano | B♭ Major | 1 | 6B | 91 BPM | ||
Le nozze di Figaro, K. 492 / Act 3: "Sull’aria ... Che soave zeffiretto" | Wolfgang Amadeus Mozart, Edith Mathis, Gundula Janowitz, Orchester der Deutschen Oper Berlin, Karl Böhm | B♭ Major | 1 | 6B | 80 BPM | ||
Le Villi: Act II - No, possibil non è... Anima santa della figlia mia | Giacomo Puccini, Lorin Maazel, London National Philharmonic Orchestra | G Minor | 2 | 6A | 127 BPM | ||
Suor Angelica: O sorelle in pio lavoro | Giacomo Puccini, Isobel Buchanan, Dame Joan Sutherland, Elizabeth Connell, Miriam Bowen, National Philharmonic Orchestra, Richard Bonynge | D♭ Major | 1 | 3B | 91 BPM | ||
Las Golondrinas: "Final, Se marcha" | Coro del Gran Teatro Lírico de Bacelona, Fidela Campiña, Carlo Galeffi | E♭ Major | 2 | 5B | 129 BPM | ||
Adriana Lecouvreur / Act 1: La dolcissima effigie sorridente | Francesco Cilea, Mario del Monaco, Renata Tebaldi, Orchestra dell'Accademia Nazionale di Santa Cecilia, Franco Capuana | F Minor | 4 | 4A | 92 BPM |