Coro del Teatro Municipale di Reggio Emilia, Orchestra del Teatro Municipale di Reggio Emilia, Francesco Molinari-Pradelli made "La Boheme, erster Akt: A te l'Atto primo" available on April 29, 1961. La Boheme, erster Akt: A te l'Atto primo is about six minutes long, preciously at 6:17, making this song fairly long compared to other songs. The track order of this song in Coro del Teatro Municipale di Reggio Emilia, Orchestra del Teatro Municipale di Reggio Emilia, Francesco Molinari-Pradelli's "Giacomo Puccini: La Boheme" album is number 2 out of 24. On top of that, Germany appears to be the country where this track was created. In terms of popularity, La Boheme, erster Akt: A te l'Atto primo is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of La Boheme, erster Akt: A te l'Atto primo by Coro del Teatro Municipale di Reggio Emilia, Orchestra del Teatro Municipale di Reggio Emilia, Francesco Molinari-Pradelli to be Moderato (at a moderate speed) because the track has a tempo of 109 BPM, a half-time of 54BPM, and a double-time of 218 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Les Contes d'Hoffmann / Act 1: "Il était une fois à la cour d'Eisenach" (La légende de Kleinzach) | Jacques Offenbach, Plácido Domingo, Robin Leggate, Choeurs de Radio France, Orchestre National De France, Seiji Ozawa | A Minor | 2 | 8A | 94 BPM | ||
Tannhäuser - Paris version / Act 1: "Stets soll nur dir, nur dir mein Lied ertönen" | Richard Wagner, Plácido Domingo, Philharmonia Orchestra, Giuseppe Sinopoli | E♭ Major | 3 | 5B | 98 BPM | ||
Faust | Dame Joan Sutherland, Orchestra of the Royal Opera House & Covent Garden, Francesco Molinari-Pradelli | E Major | 2 | 12B | 87 BPM | ||
Auber: La muette de Portici: "Spectacle affreux" (Masaniello) | Daniel Auber, Michael Spyres, Christophe Rousset, Les Talens Lyriques | G Major | 1 | 9B | 62 BPM | ||
Il Barbiere di Siviglia, Act I, Scene One: Ehi, Fiorelli?...Mio signore (Conte/Fiorello/Coro) | Gioachino Rossini, Alceo Galliera, Philharmonia Orchestra & Chorus, Luigi Alva, Mario Carlin | D Major | 0 | 10B | 115 BPM | ||
Act III: Depuis le jour | Gustave Charpentier, Leontyne Price, Francesco Molinari-Pradelli | G Major | 1 | 9B | 82 BPM | ||
Act III: L'altra notte in fondo al mare | Arrigo Boito, Leontyne Price, Francesco Molinari-Pradelli | A Minor | 2 | 8A | 97 BPM | ||
La Boheme, erster Akt: Si puo ? | Coro del Teatro Municipale di Reggio Emilia, Orchestra del Teatro Municipale di Reggio Emilia, Francesco Molinari-Pradelli | A♭ Major | 4 | 4B | 107 BPM | ||
Romeo and Juliette, Act III: Ah! jour de deuil et d'horreur et d'alarmes | Charles Gounod, Roberto Alagna, Michel Plasson, Wolff, Orchestre Du Capitole De Toulouse | G Major | 0 | 9B | 111 BPM | ||
Cherubini: Medea, Act 2: "Medea, o Medea!" (Neris) | Luigi Cherubini, Miriam Pirazzini, Orchestra del Teatro alla Scala di Milano, Tullio Serafin, Miriam Pirazzini, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin | C Minor | 1 | 5A | 85 BPM |
Section: 0.841102123260498
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