Richard Wagner, Plácido Domingo, Philharmonia Orchestra, Giuseppe Sinopoli's 'Tannhäuser - Paris version / Act 1: "Stets soll nur dir, nur dir mein Lied ertönen"' came out on January 1, 1989. With Tannhäuser - Paris version / Act 1: "Stets soll nur dir, nur dir mein Lied ertönen" being less than two minutes long, at 1:50, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Wagner: Tannhäuser by Richard Wagner, Chorus of the Royal Opera House, Covent Garden, Philharmonia Orchestra, Giuseppe Sinopoli. The song's track number on the album is #7 out of 38 tracks. In terms of popularity, Tannhäuser - Paris version / Act 1: "Stets soll nur dir, nur dir mein Lied ertönen" is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Tannhäuser - Paris version / Act 1: "Stets soll nur dir, nur dir mein Lied ertönen" by Richard Wagner, Plácido Domingo, Philharmonia Orchestra, Giuseppe Sinopoli has a tempo of 98 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Tannhäuser - Paris version / Act 1: "Stets soll nur dir, nur dir mein Lied ertönen" being at 98 BPM, the half-time would be 49 BPM with a double-time of 196 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song has a musical key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Das Rheingold, WWV 86A, Scene 4: Scene 4: Abendlich strahlt der Sonne Auge (Wotan) | Richard Wagner, Matthias Goerne, Hong Kong Philharmonic Orchestra, Jaap Van Zweden | F Minor | 6 | 4A | 178 BPM | ||
Die Meistersinger von Nürnberg - Act 1: "David! Was stehst?" | Richard Wagner, Adolf Dallapozza, René Kollo, Wiener Philharmoniker, Sir Georg Solti | D Major | 2 | 10B | 87 BPM | ||
Lohengrin, WWV 75 / Act 3: "In fernem Land, unnahbar euren Schritten" | Richard Wagner, Plácido Domingo, Hans Sotin, Vienna State Opera Chorus, Wiener Philharmoniker, Sir Georg Solti | A Major | 1 | 11B | 86 BPM | ||
La Traviata / Act 1: Libiamo ne'lieti calici | Giuseppe Verdi, Ileana Cotrubas, Plácido Domingo, Chor der Bayerischen Staatsoper München, Bavarian State Orchestra, Carlos Kleiber | B♭ Major | 2 | 6B | 113 BPM | ||
Strauss, R: Der Rosenkavalier, Op. 59, Act 1: "Di rigori armato il seno" (Singer) | Richard Strauss, Herbert von Karajan, Nicolai Gedda, Philharmonia Orchestra | D♭ Major | 1 | 3B | 71 BPM | ||
Norma / Act 1: Norma viene | Vincenzo Bellini, Welsh National Opera Chorus, Welsh National Opera Orchestra, Richard Bonynge | E♭ Major | 3 | 5B | 79 BPM | ||
Rigoletto / Act 3: Chi è mai, chi è qui in sua vece? (Rigoletto, Gilda) | Giuseppe Verdi, Vladimir Chernov, Cheryl Studer, Metropolitan Opera Orchestra, James Levine | D♭ Minor | 1 | 12A | 178 BPM | ||
Les Contes d'Hoffmann / Act 2: "C'est moi, Coppélius" | Jacques Offenbach, Gabriel Bacquier, Claudia Eder, Plácido Domingo, Orchestre National De France, Seiji Ozawa | A♭ Major | 0 | 4B | 202 BPM | ||
Puccini: Suor Angelica: "Suor Angelica, sentite!" (La sorella infermiera, Suor Angelica, Chorus) | Giacomo Puccini, London Voices, London Symphony Orchestra, Tiffin School Boys' Choir, Antonio Pappano, Terry Edwards, Anna Maria Panzarella, Francesca Pedaci, Elena Zilio, Sara Fulgoni, Dorothea Rschmann, Judith Rees, Rachele Stanisci, Felicity Palmer, Deborah, Cristina Gallardo-Domas, Philharmonia Orchestra | A Minor | 0 | 8A | 80 BPM | ||
In Quelle Trine Morbide - Manon Lescaut Atto Ii | Renata Tebaldi | D♭ Major | 2 | 3B | 93 BPM |
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