"Puccini: Suor Angelica: "Suor Angelica, sentite!" (La sorella infermiera, Suor Angelica, Chorus)" by Giacomo Puccini, London Voices, London Symphony Orchestra, Tiffin School Boys' Choir, Antonio Pappano, Terry Edwards, Anna Maria Panzarella, Francesca Pedaci, Elena Zilio, Sara Fulgoni, Dorothea Rschmann, Judith Rees, Rachele Stanisci, Felicity Palmer, Deborah, Cristina Gallardo-Domas, Philharmonia Orchestra was released on February 1, 1999. With Puccini: Suor Angelica: "Suor Angelica, sentite!" (La sorella infermiera, Suor Angelica, Chorus) being less than two minutes long, at 1:56, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 58 in the song's album "Puccini: Il trittico". In this album, this song's track order is #6. Puccini: Suor Angelica: "Suor Angelica, sentite!" (La sorella infermiera, Suor Angelica, Chorus) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Puccini: Suor Angelica: "Suor Angelica, sentite!" (La sorella infermiera, Suor Angelica, Chorus) by Giacomo Puccini, London Voices, London Symphony Orchestra, Tiffin School Boys' Choir, Antonio Pappano, Terry Edwards, Anna Maria Panzarella, Francesca Pedaci, Elena Zilio, Sara Fulgoni, Dorothea Rschmann, Judith Rees, Rachele Stanisci, Felicity Palmer, Deborah, Cristina Gallardo-Domas, Philharmonia Orchestra having a BPM of 80 with a half-time of 40 BPM and a double-time of 160 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mahler: Symphony No. 2 in C Minor "Resurrection": V. (f) Etwas bewegter | Gustav Mahler, Otto Klemperer, Elisabeth Schwarzkopf, Hilde Rössel Majdan, The Philharmonia Chorus, Philharmonia Orchestra | A♭ Major | 0 | 4B | 124 BPM | ||
Carmen / Act 3: Je suis Escamillo, Toréro de Grenade! | Georges Bizet, José Carreras, José van Dam, Berliner Philharmoniker, Herbert von Karajan | F Major | 3 | 7B | 130 BPM | ||
Adriana Lecouvreur: L'anima ho stanca | Francesco Cilea, Piotr Beczala, Orquestra de la Comunitat Valenciana, Marco Boemi | B Minor | 3 | 10A | 150 BPM | ||
Norma, Act II: Cedi! Deh, cedi! (Critical Ed. Maurizio Biondi and Riccardo Minasi) - Edit | Vincenzo Bellini, Sumi Jo, Cecilia Bartoli, Orchestra La Scintilla, Giovanni Antonini | D Major | 2 | 10B | 131 BPM | ||
Meyerbeer: Il crociato in Egitto: "Suona funerea" (Adriano, Cavalieri) | Giacomo Meyerbeer, Michael Spyres, Christophe Rousset, Les Talens Lyriques, Le Jeune Choeur de Paris | G Major | 1 | 9B | 62 BPM | ||
Tannhäuser - Paris version / Act 1: "Zu dir wall ich, mein Jesus Christ" | Richard Wagner, Chorus of the Royal Opera House, Covent Garden, Norbert Balatsch, Philharmonia Orchestra, Giuseppe Sinopoli | G Major | 0 | 9B | 133 BPM | ||
Mefistofele: Prologue - Scherzo instrumentale - Appearance of Mefistofele | Arrigo Boito, Riccardo Muti | F Major | 1 | 7B | 82 BPM | ||
La Boheme, erster Akt: Ho pagato il Trimestre | Coro del Teatro Municipale di Reggio Emilia, Orchestra del Teatro Municipale di Reggio Emilia, Francesco Molinari-Pradelli | A♭ Major | 4 | 4B | 173 BPM | ||
Puccini: La bohème, Act 1: "Ehi! Rodolfo!" (Schaunard, Colline, Marcello, Rodolfo, Mimì) | Giacomo Puccini, Victoria de los Ángeles, Giorgio Tozzi, John Reardon, Jussi Björling, Robert Merrill, Sir Thomas Beecham, RCA Victor Orchestra | A Major | 0 | 11B | 135 BPM | ||
Las Golondrinas, Final, II parte: "¡Oh, Puck, por ti mi corazón!" | Coro del Gran Teatro Lírico de Bacelona, Fidela Campiña, Carlo Galeffi | E♭ Major | 2 | 5B | 129 BPM |
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