Ruggero Leoncavallo, Tullio Serafin, Nicola Monti, Orchestra Del Teatro Alla Scala, Milano's 'Leoncavallo: I pagliacci, Act 2: "Ah! Colombina, il tenero" (Beppe)' came out on 1955. With Leoncavallo: I pagliacci, Act 2: "Ah! Colombina, il tenero" (Beppe) being less than two minutes long, at 1:38, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Ruggero Leoncavallo, Maria Callas's "Leoncavallo: I pagliacci (1954 - Serafin) - Callas Remastered" album is number 19 out of 24. On top of that, United Kingdom appears to be the country where this track was created. Leoncavallo: I pagliacci, Act 2: "Ah! Colombina, il tenero" (Beppe) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Leoncavallo: I pagliacci, Act 2: "Ah! Colombina, il tenero" (Beppe) by Ruggero Leoncavallo, Tullio Serafin, Nicola Monti, Orchestra Del Teatro Alla Scala, Milano to be Adagio (slowly with great expression) because the track has a tempo of 75 BPM, a half-time of 38BPM, and a double-time of 150 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La sonnambula: Act II: Ah, non credea mirarti (Amina, Elvino, Rodolfo) | Vincenzo Bellini, Maria Callas, Nicola Monti, Nicola Zaccaria, Fiorenza Cossotto, Mariella Angioletti, Dino Mantovani, Franco Ricciardi, Milan La Scala Chorus, Orchestra Del Teatro Alla Scala, Milano, Antonino Votto | F Major | 2 | 7B | 75 BPM | ||
Il barbiere di Siviglia / Act 1: No.8 Aria: "A un dottor della mia sorte" | Gioachino Rossini, Fernando Corena, Orchestra del Teatro San Carlo di Napoli, Silvio Varviso | E♭ Major | 3 | 5B | 115 BPM | ||
Donizetti: Lucia di Lammermoor, Act 1: "Sulla tomba che rinserra il tradito genitore" (Edgardo, Lucia) | Gaetano Donizetti, Maria Callas, Giuseppe Di Stefano, Orchestra del Maggio Musicale Fiorentino, Tullio Serafin | D Major | 1 | 10B | 169 BPM | ||
Cherubini: Medea, Act 1: "Pronube dive" (Creonte, Chorus, Glauce, Giasone) | Luigi Cherubini, Giuseppe Modesti, Coro del Teatro alla Scala di Milano, Renata Scotto, Mirto Picchi, Orchestra del Teatro alla Scala di Milano, Tullio Serafin, Coro Del Teatro Alla Scala Di Milano, Giuseppe Modesti, Mirto Picchi, Orchestra Del Teatro Alla Scala, Milano, Renata Scotto, Tullio Serafin | F Major | 2 | 7B | 72 BPM | ||
Les Pêcheurs de perles: A cette voix (Nadir) | Georges Bizet, Nicolai Gedda, Pierre Dervaux, Orchestre du Theatre National de IOpera-Comique, Orchestre Du Theatre National De L'opera-comique | C Major | 1 | 8B | 94 BPM | ||
Cherubini: Medea, Act 1: "Taci, Giason" (Medea, Giasone) | Luigi Cherubini, Maria Callas, Mirto Picchi, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin | D Minor | 0 | 7A | 93 BPM | ||
Alceste, Wq. 44 (Excerpts): Vivre sans toi | Christoph Willibald Gluck, Bavarian Radio Symphony Orchestra, Serge Baudo, Nicolai Gedda, Jessye Norman | G Minor | 2 | 6A | 76 BPM | ||
Puccini: Madama Butterfly, Act 2: "Un bel di vedremo" (Butterfly) | Giacomo Puccini, Maria Callas, Herbert von Karajan, Orchestra Del Teatro Alla Scala, Milano | D♭ Major | 2 | 3B | 77 BPM | ||
Don Giovanni, K. 527, Act I: Madamina, il catalogo è questo - Remastered 2024 | Wolfgang Amadeus Mozart, Paul Schöffler, Wiener Philharmoniker, Karl Böhm | B♭ Major | 1 | 6B | 96 BPM | ||
La Rondine, Act I: Chi il bel sogno di Doretta | Giacomo Puccini, Giuseppe Adami, Marina Rebeka, Marco Boemi, Wrocław Opera Orchestra | E Major | 2 | 12B | 88 BPM |
Section: 1.0312962532043457
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