Leoncavallo: I pagliacci, Act 2: "Ah! Colombina, il tenero" (Beppe)
Ruggero Leoncavallo, Tullio Serafin, Nicola Monti, Orchestra Del Teatro Alla Scala, Milano
Leoncavallo: I pagliacci (1954 - Serafin) - Callas Remastered
1:38 1955
BPM
75
Key
B♭ Major
Camelot
6B

Embed

Share Link

Leoncavallo: I pagliacci, Act 2: "Ah! Colombina, il tenero" (Beppe) - Ruggero Leoncavallo, Tullio Serafin, Nicola Monti, Orchestra Del Teatro Alla Scala, Milano Information

Acousticness
91%
Danceability
30%
Energy
32%
Instrumentalness
0%
Liveness
13%
Loudness
81%
Speechiness
9%
Valence
25%
Popularity
Loudness
-11.172 dB

Summary

Ruggero Leoncavallo, Tullio Serafin, Nicola Monti, Orchestra Del Teatro Alla Scala, Milano's 'Leoncavallo: I pagliacci, Act 2: "Ah! Colombina, il tenero" (Beppe)' came out on 1955. With Leoncavallo: I pagliacci, Act 2: "Ah! Colombina, il tenero" (Beppe) being less than two minutes long, at 1:38, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Ruggero Leoncavallo, Maria Callas's "Leoncavallo: I pagliacci (1954 - Serafin) - Callas Remastered" album is number 19 out of 24. On top of that, United Kingdom appears to be the country where this track was created. Leoncavallo: I pagliacci, Act 2: "Ah! Colombina, il tenero" (Beppe) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Leoncavallo: I pagliacci, Act 2: "Ah! Colombina, il tenero" (Beppe) BPM

We consider the tempo marking of Leoncavallo: I pagliacci, Act 2: "Ah! Colombina, il tenero" (Beppe) by Ruggero Leoncavallo, Tullio Serafin, Nicola Monti, Orchestra Del Teatro Alla Scala, Milano to be Adagio (slowly with great expression) because the track has a tempo of 75 BPM, a half-time of 38BPM, and a double-time of 150 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.

Leoncavallo: I pagliacci, Act 2: "Ah! Colombina, il tenero" (Beppe) Key

This song has a musical key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
La sonnambula: Act II: Ah, non credea mirarti (Amina, Elvino, Rodolfo) by Vincenzo Bellini, Maria Callas, Nicola Monti, Nicola Zaccaria, Fiorenza Cossotto, Mariella Angioletti, Dino Mantovani, Franco Ricciardi, Milan La Scala Chorus, Orchestra Del Teatro Alla Scala, Milano, Antonino VottoLa sonnambula: Act II: Ah, non credea mirarti (Amina, Elvino, Rodolfo)Vincenzo Bellini, Maria Callas, Nicola Monti, Nicola Zaccaria, Fiorenza Cossotto, Mariella Angioletti, Dino Mantovani, Franco Ricciardi, Milan La Scala Chorus, Orchestra Del Teatro Alla Scala, Milano, Antonino VottoF Major27B75 BPM
Il barbiere di Siviglia / Act 1: No.8 Aria: Il barbiere di Siviglia / Act 1: No.8 Aria: "A un dottor della mia sorte"Gioachino Rossini, Fernando Corena, Orchestra del Teatro San Carlo di Napoli, Silvio VarvisoE♭ Major35B115 BPM
Donizetti: Lucia di Lammermoor, Act 1: Donizetti: Lucia di Lammermoor, Act 1: "Sulla tomba che rinserra il tradito genitore" (Edgardo, Lucia)Gaetano Donizetti, Maria Callas, Giuseppe Di Stefano, Orchestra del Maggio Musicale Fiorentino, Tullio SerafinD Major110B169 BPM
Cherubini: Medea, Act 1: Cherubini: Medea, Act 1: "Pronube dive" (Creonte, Chorus, Glauce, Giasone)Luigi Cherubini, Giuseppe Modesti, Coro del Teatro alla Scala di Milano, Renata Scotto, Mirto Picchi, Orchestra del Teatro alla Scala di Milano, Tullio Serafin, Coro Del Teatro Alla Scala Di Milano, Giuseppe Modesti, Mirto Picchi, Orchestra Del Teatro Alla Scala, Milano, Renata Scotto, Tullio SerafinF Major27B72 BPM
Les Pêcheurs de perles: A cette voix (Nadir) by Georges Bizet, Nicolai Gedda, Pierre Dervaux, Orchestre du Theatre National de IOpera-Comique, Orchestre Du Theatre National De L'opera-comiqueLes Pêcheurs de perles: A cette voix (Nadir)Georges Bizet, Nicolai Gedda, Pierre Dervaux, Orchestre du Theatre National de IOpera-Comique, Orchestre Du Theatre National De L'opera-comiqueC Major18B94 BPM
Cherubini: Medea, Act 1: Cherubini: Medea, Act 1: "Taci, Giason" (Medea, Giasone)Luigi Cherubini, Maria Callas, Mirto Picchi, Orchestra Del Teatro Alla Scala, Milano, Tullio SerafinD Minor07A93 BPM
Alceste, Wq. 44 (Excerpts): Vivre sans toi by Christoph Willibald Gluck, Bavarian Radio Symphony Orchestra, Serge Baudo, Nicolai Gedda, Jessye NormanAlceste, Wq. 44 (Excerpts): Vivre sans toiChristoph Willibald Gluck, Bavarian Radio Symphony Orchestra, Serge Baudo, Nicolai Gedda, Jessye NormanG Minor26A76 BPM
Puccini: Madama Butterfly, Act 2: Puccini: Madama Butterfly, Act 2: "Un bel di vedremo" (Butterfly)Giacomo Puccini, Maria Callas, Herbert von Karajan, Orchestra Del Teatro Alla Scala, MilanoD♭ Major23B77 BPM
Don Giovanni, K. 527, Act I: Madamina, il catalogo è questo - Remastered 2024 by Wolfgang Amadeus Mozart, Paul Schöffler, Wiener Philharmoniker, Karl BöhmDon Giovanni, K. 527, Act I: Madamina, il catalogo è questo - Remastered 2024Wolfgang Amadeus Mozart, Paul Schöffler, Wiener Philharmoniker, Karl BöhmB♭ Major16B96 BPM
La Rondine, Act I: Chi il bel sogno di Doretta by Giacomo Puccini, Giuseppe Adami, Marina Rebeka, Marco Boemi, Wrocław Opera OrchestraLa Rondine, Act I: Chi il bel sogno di DorettaGiacomo Puccini, Giuseppe Adami, Marina Rebeka, Marco Boemi, Wrocław Opera OrchestraE Major212B88 BPM
ISRC
GBAYC1400424
Label
L-M Records/RCA Records

Section: 1.0312962532043457

End: 1.0354340076446533