"La Tempestad, Acto III: Esa Es la Puerta del Tribunal (Introducción y Coro) - Remastered" by Ruperto Chapí, Miguel Ramos Carrión, Coro Cantores de Madrid, Ataúlfo Argenta, Jose Perera, Orquesta De Camara De Madrid was released on January 15, 1954. The duration of La Tempestad, Acto III: Esa Es la Puerta del Tribunal (Introducción y Coro) - Remastered is about 3 minutes long, at 3:14. Based on our data, "La Tempestad, Acto III: Esa Es la Puerta del Tribunal (Introducción y Coro) - Remastered" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Ruperto Chapí, Miguel Ramos Carrión, Various Artists, Ataúlfo Argenta, Jose Perera, Orquesta De Camara De Madrid's "La Zarzuela: La Tempestad" album is number 8 out of 19. On top of that, Spain appears to be the country where this track was created. In terms of popularity, La Tempestad, Acto III: Esa Es la Puerta del Tribunal (Introducción y Coro) - Remastered is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of La Tempestad, Acto III: Esa Es la Puerta del Tribunal (Introducción y Coro) - Remastered by Ruperto Chapí, Miguel Ramos Carrión, Coro Cantores de Madrid, Ataúlfo Argenta, Jose Perera, Orquesta De Camara De Madrid to be Andante (at a walking pace) because the track has a tempo of 93 BPM, a half-time of 46BPM, and a double-time of 186 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Lucia di Lammermoor, Act I: Cruda, funesta smania | Gaetano Donizetti, Stefano Antonucci, Didier Pieri, Mariano Buccino, Orchestra del Teatro Carlo Felice di Genova, Andriy Yurkevych | G Major | 3 | 9B | 72 BPM | ||
El Rey Que Rabió: "Cuarteto de la risa: ¿Quién es?" - Remastered | Miguel Ramos Carrión, Vital Aza, Ruperto Chapí, Pilar Lorengar, Rafael Maldonado, Agustin S. Luque, Manuel Ausensi, Ataúlfo Argenta, Jose Perera, Julian Perera, Gran Orquesta Sinfonica | F Major | 3 | 7B | 65 BPM | ||
Cilea: Adriana Lecouvreur; Act 2: O vagabonda | Francesco Cilea, Arturo Colautti, James Levine | G Minor | 3 | 6A | 165 BPM | ||
Przemysl | Paul Moravec, Oratorio Society of New York, Raehann Bryce-Davis, Joseph Charles Beutel, Kent Tritle | F Major | 2 | 7B | 65 BPM | ||
Hoffmanns Erzählungen: Prologue: Aus dem Becher kommt der Trunk | Jacques Offenbach, Kölner Rundfunkchor, Kölner Rundfunk-Sinfonie-Orchester, Chor, Eugen Szenkar | C Major | 3 | 8B | 75 BPM | ||
El Rey Que Rabió: "Al monarca esperamos" - Remastered | Miguel Ramos Carrión, Vital Aza, Ruperto Chapí, Pilar Lorengar, Agustin S. Luque, Coro General, Ataúlfo Argenta, Jose Perera, Julian Perera, Gran Orquesta Sinfonica | E♭ Major | 7 | 5B | 73 BPM | ||
La mia canzone al vento | Leo Nucci, Salotto Ottocento Ensemble | C Major | 2 | 8B | 120 BPM | ||
Donizetti: Lucia di Lammermoor, Act 1: "Precorrete...Percorriamo le spiagge vicine" (Normanno, Chorus) | Gaetano Donizetti, Gino Sarri/Coro del Maggio Musicale Fiorentino/Orchestra del Maggio Musicale Fiorentino/Tullio Serafin, Coro del Maggio Musicale Fiorentino, Gino Sarri, Orchestra del Maggio Musicale Fiorentino, Tullio Serafin | D Major | 1 | 10B | 169 BPM | ||
Meyerbeer: Il crociato in Egitto: "Suona funerea" (Adriano, Cavalieri) | Giacomo Meyerbeer, Michael Spyres, Christophe Rousset, Les Talens Lyriques, Le Jeune Choeur de Paris | G Major | 1 | 9B | 62 BPM | ||
Iphigénie en Tauride, Wq. 46 (Excerpts): Patrie infortunée | Christoph Willibald Gluck, Munich Radio Orchestra, Lamberto Gardelli, Pilar Lorengar | G Major | 1 | 9B | 86 BPM |
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