Leo Nucci, Salotto Ottocento Ensemble made "La mia canzone al vento" available on January 14, 2014. The duration of La mia canzone al vento is about two minutes long, specifically at 2:31. This song does not appear to have any foul language. La mia canzone al vento's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 15 in the song's album "Parlami d'amore Mariù (feat. Salotto Ottocento Ensemble)". In this album, this song's track order is #9. Based on our statistics, La mia canzone al vento's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With La mia canzone al vento by Leo Nucci, Salotto Ottocento Ensemble having a BPM of 120 with a half-time of 60 BPM and a double-time of 240 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Luisa Fernanda, Acto ii: Por el amor de una mujer | Estrella Alsina, José Perera, Orquesta de Conciertos de Madrid, Pedro Lavirgen, Teresa Tourné | F Major | 3 | 7B | 95 BPM | ||
Adriana Lecouvreur Act I, Scene 5: La dolcissima effigie | Francesco Cilea, Vittorio Grigolo, Pier Giorgio Morandi, Czech National Symphony Orchestra | F Major | 1 | 7B | 170 BPM | ||
La Gioconda, Act II, Scene 4: Cielo e mar! | Amilcare Ponchielli, Vittorio Grigolo, Pier Giorgio Morandi, Czech National Symphony Orchestra | F Major | 1 | 7B | 170 BPM | ||
Notturno d'amore | Mario del Monaco | D Major | 2 | 10B | 93 BPM | ||
Parysatis: Le Rossignol et la Rose | Camille Saint-Saëns, Erin Morley, Gerald Martin Moore | G Major | 0 | 9B | 75 BPM | ||
Los Pescadores de Perlas "Mi Par D'udir Ancora" | Alfredo Kraus | D Major | 2 | 10B | 168 BPM | ||
Cimarosa: Il sacrificio d’Abramo: "Chi per pietà mi dice" - "Deh, parlate" (Sara) | Domenico Cimarosa, Sir Neville Marriner, Amanda Roocroft, Academy of St. Martin in the Fields, John Constable, Stephen Orton | E♭ Major | 1 | 5B | 75 BPM | ||
Spontini: Agnes von Hohenstaufen: "Der Strom wälzt ruhig seine dunklen Wogen" (Heinrich) | Gaspare Spontini, Michael Spyres, Christophe Rousset, Les Talens Lyriques | G Major | 1 | 9B | 62 BPM | ||
La Gioconda / Act 2: Stella del marinar! | Amilcare Ponchielli, Agnes Baltsa, National Philharmonic Orchestra, Bruno Bartoletti | D Major | 2 | 10B | 90 BPM | ||
Il barbiere di Siviglia / Act 2: No. 16 Terzetto: "Ah! qual colpo inaspettato!" | Gioachino Rossini, Cecilia Bartoli, Leo Nucci, William Matteuzzi, Orchestra del Teatro Comunale di Bologna, Giuseppe Patanè | C Major | 1 | 8B | 69 BPM |
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