"Los Pescadores de Perlas "Mi Par D'udir Ancora"" by Alfredo Kraus was released on November 26, 1958. With this song being about 5 minutes long, at 4:37, "Los Pescadores de Perlas "Mi Par D'udir Ancora"" by Alfredo Kraus is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 32 in the song's album "The Voice of Spain". In this album, this song's track order is #3. Furthermore, we believe that the track originated from Germany. The popularity of Los Pescadores de Perlas "Mi Par D'udir Ancora" is currently below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Los Pescadores de Perlas "Mi Par D'udir Ancora" by Alfredo Kraus having a BPM of 168 with a half-time of 84 BPM and a double-time of 336 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nabucco: va pensiero | Franck Pourcel | F♯ Major | 3 | 2B | 145 BPM | ||
El Tambor de Granaderos: "Preludio" | Rafael Frühbeck de Burgos | D Major | 4 | 10B | 140 BPM | ||
To Treno Fevgi Stis Okto (The Train Leaves At Eight) | Agnes Baltsa | E Minor | 1 | 9A | 78 BPM | ||
Doña Francisquita, Act I: Canción del Ruiseñor, Pt. 1 (Francisquita, Fernando, Cardona) | Amadeo Vives, Orquesta Sinfonica De Tenerife, Antoni Ros Marbá, Maria Bayo, Alfredo Kraus, Santiago Jerico | B Major | 1 | 1B | 178 BPM | ||
Roméo et Juliette, CG 9 / Act 1: "Ah, je veux vivre dans ce rève" | Charles Gounod, Aida Garifullina, Vienna Radio Symphony Orchestra, Cornelius Meister | C Major | 3 | 8B | 77 BPM | ||
Les Contes d'Hoffmann / Act 2: "Belle nuit, ô nuit d'amour" | Jacques Offenbach, Dame Joan Sutherland, Huguette Tourangeau, Chorus Pro Arte Lausanne Du Brassus, Radio Suisse Romande Chorus, Orchestre de la Suisse Romande, Richard Bonynge | D Major | 1 | 10B | 82 BPM | ||
Turandot: Tu, che di gel sei cinta | Mirella Freni, Vienna Volksoper Orchestra, Argeo Quadri | B Major | 2 | 1B | 87 BPM | ||
Agua, azucarillos y aguardiente: Coro de barquilleros | Pablo Sorozábal | D♭ Major | 4 | 3B | 124 BPM | ||
Spontini: La Vestale, Act 2: "O nome tutelar" (Julia) | Gaspare Spontini, Maria Callas, Tullio Serafin, Orchestra Del Teatro Alla Scala, Milano | D Major | 1 | 10B | 172 BPM | ||
I puritani: Qui la voce sua soave | Vincenzo Bellini, Luba Orgonasova, Symfonický orchester Slovenského rozhlasu, Will Humburg | A♭ Major | 1 | 4B | 103 BPM |
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