"6 Wiener Tänze nach Motiven von Eduard Gärtner: No. 5, Moderato" by Ignaz Friedman, Joseph Banowetz was released on May 6, 2016. The duration of 6 Wiener Tänze nach Motiven von Eduard Gärtner: No. 5, Moderato is about 3 minutes long, at 3:02. Based on our data, "6 Wiener Tänze nach Motiven von Eduard Gärtner: No. 5, Moderato" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 5 out of 28 in Friedman: Original Piano Compositions by Ignaz Friedman, Joseph Banowetz. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. 6 Wiener Tänze nach Motiven von Eduard Gärtner: No. 5, Moderato is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 6 Wiener Tänze nach Motiven von Eduard Gärtner: No. 5, Moderato by Ignaz Friedman, Joseph Banowetz is Andante (at a walking pace), since this song has a tempo of 77 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 1/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lyric Pieces Book V, Op. 54: No. 4 Notturno | Edvard Grieg, Emil Gilels | D Minor | 0 | 7A | 72 BPM | ||
Pièces de clavecin, Book 2, Suite No. 5: Le Caquet (arr. I. Friedman for piano) | Ignaz Friedman, Jean-François Dandrieu, Joseph Banowetz | D♭ Minor | 2 | 12A | 77 BPM | ||
3 Romances, Op. 22: No. 1, Andante molto (Arr. Knoth for Cello and Piano) | Clara Schumann, Sophie Kauer, Kunal Lahiry | D♭ Major | 0 | 3B | 68 BPM | ||
Gypsy Songs, Op. 55, B. 104: No. 4, Songs My Mother Taught Me (Arr. P. Breiner for Piano) | Antonín Dvořák, Peter Breiner | A Minor | 0 | 8A | 108 BPM | ||
Wiener Tanz No. 1 nach Eduard Gärtner | Ignaz Friedman, Władysław Szpilman | F♯ Major | 0 | 2B | 75 BPM | ||
Miniature No. 7 | Giya Kancheli, Andrea Cortesi, Marco Venturi | F♯ Minor | 0 | 11A | 78 BPM | ||
Lyric Pieces, Book 9, Op. 68: Badnlat (Cradle Song) | Edvard Grieg, Einar Steen-Nøkleberg | E Major | 0 | 12B | 112 BPM | ||
Suite populaire espagnole (Transcr. M. Maréchal for Cello & Piano): II. Nana | Manuel de Falla, Rohan De Saram, Junko Yamamoto | A Major | 0 | 11B | 64 BPM | ||
Berceuse | Germaine Tailleferre, Sara Chenal, Jean-Pierre Ferey | A Major | 0 | 11B | 101 BPM | ||
The Seasons, Op. 37b: VI. June, "Barcarolle" | Pyotr Ilyich Tchaikovsky, Yefim Bronfman | G Minor | 0 | 6A | 87 BPM |
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