Daniel Auber, Orchestra Philharmonica del Teatro Comunale Giuseppe Verdi Trieste, Arturo Basile's 'Fra Diavolo: Sinfonia' came out on January 1, 2005. Since Fra Diavolo: Sinfonia is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 1 out of 35 in Auber: Fra Diavolo / Donizetti: La figlia del reggimento by Orchestra Philharmonica del Teatro Comunale Giuseppe Verdi Trieste, Arturo Basile. Based on our statistics, Fra Diavolo: Sinfonia's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Fra Diavolo: Sinfonia by Daniel Auber, Orchestra Philharmonica del Teatro Comunale Giuseppe Verdi Trieste, Arturo Basile is Allegro (fast, quick, and bright), since this song has a tempo of 132 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 2, Op. 52, "Lobgesang": I. Sinfonia: III. Adagio religioso | Felix Mendelssohn, Tonhalle-Orchester Zürich, Paavo Järvi | E Major | 1 | 12B | 72 BPM | ||
Einzugs-galopp, Op. 35 | Slovak Sinfonietta, Zilina, Johann Strauss I | A Major | 2 | 11B | 145 BPM | ||
チャイコフスキー: バレエ「眠れる森の美女」より「青い鳥のパドドゥ」 | ogsogs | A Major | 1 | 11B | 105 BPM | ||
Relâche, Pt. 2: No. 10, La femme rejoint son fauteuil | Erik Satie, Ronald Corp, New London Orchestra | D Major | 3 | 10B | 122 BPM | ||
La muette de Portici, S. 16: Act I: Recitative: Plaisier du rang supreme (Elvire) | Daniel Auber, Diego Torre, Oscar de la Torre, Angelina Ruzzafante, Wiard Witholt, Dessau Anhalt Theater Chorus, Dessau Anhalt Philharmonic Orchestra, Antony Hermus | F Major | 0 | 7B | 148 BPM | ||
弦楽のためのアダージョ (バーバー)[式後の音楽] | ソフィア交響楽団 | B♭ Minor | 1 | 3A | 78 BPM | ||
Raymonda, Act III: Grand Pas de Deux, Entree | Alexander Glazunov, English National Ballet Philharmonic, Gavin Sutherland | D Major | 3 | 10B | 84 BPM | ||
7 Pieces enfantines (7 Children's Pieces): Chatterie (Titbit) | Paul Le Flem, Rhenish Philharmonic Orchestra, James Lockhart | B♭ Major | 0 | 6B | 115 BPM | ||
Symphony in D Major, Bryan D2: IV. Allegro | Johann Baptist Vanhal, Toronto Chamber Orchestra, Kevin Mallon | D Major | 1 | 10B | 126 BPM | ||
Clarinet Concerto No. 3 | Carl Stamitz, Chris Swann, Ian Buckle | B♭ Major | 1 | 6B | 123 BPM |
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