"Raymonda, Act III: Grand Pas de Deux, Entree" by Alexander Glazunov, English National Ballet Philharmonic, Gavin Sutherland was released on November 30, 2021. The duration of Raymonda, Act III: Grand Pas de Deux, Entree is about two minutes long, specifically at 2:16. This song does not appear to have any foul language. Raymonda, Act III: Grand Pas de Deux, Entree's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 11 in the song's album "Raymonda (Highlights)". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United Kingdom. Raymonda, Act III: Grand Pas de Deux, Entree is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Raymonda, Act III: Grand Pas de Deux, Entree by Alexander Glazunov, English National Ballet Philharmonic, Gavin Sutherland having a BPM of 84 with a half-time of 42 BPM and a double-time of 168 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Prokofiev: Suite No. 2 from Romeo and Juliet, Op. 64ter: I. The Montagues and Capulets | Sergei Prokofiev, Aziz Shokhakimov, Orchestre Philharmonique De Strasbourg | C Major | 1 | 8B | 101 BPM | ||
Debussy: Petite Suite no4 Ballet (드뷔시: 작은 모음곡 4곡 발레) | 김준영 | D Major | 2 | 10B | 95 BPM | ||
Symphony No. 3: I. 1. Allegro moderato, maestoso | Aram Khachaturian, Robert Schumann Philharmonie, Frank Beermann | C Major | 3 | 8B | 93 BPM | ||
Berlioz: La damnation de Faust, Op. 24, H 111, Pt. 1: Hungarian March | Hector Berlioz, London Philharmonic Orchestra, Ben Gernon | A Major | 3 | 11B | 87 BPM | ||
Symphony No. 3 in C Minor, Op. 78 "Organ" (Remastered): I. Allegro moderato | Camille Saint-Saëns, Eugene Ormandy, E. Power Biggs, Philadelphia Orchestra | C Major | 4 | 8B | 105 BPM | ||
String Quartet in G minor | Antonios Fotopoulos, Antonis Fotopoulos | A♭ Major | 0 | 4B | 58 BPM | ||
The Seasons, Op. 67, Pt. 1 "L'hiver": No. 5, Variation de la grêle | Alexander Glazunov, Zagreb Philharmonic Orchestra, Dmitri Kitayenko | C Major | 1 | 8B | 138 BPM | ||
Josephs-Legende, Op. 63, TrV 231: Der Sheik verbeugt sich nochmals und winkt noch einmal nach oben. Etwas ruhiger | Richard Strauss, Staatskapelle Halle, Fabrice Bollon | D Minor | 1 | 7A | 135 BPM | ||
L'etoile du nord: Act III: Entr'acte | Giacomo Meyerbeer, Elizabeth Futral, Vladimir Ognev, Darina Takova, Aled Hall, Christopher Maltman, Juan Diego Flórez, Agnete Munk Rasmussen, Patrizia Cigna, Robert Lee, Fernand Bernadi, Luis Ledesma, Wexford Festival Opera Chorus, RTÉ National Symphony Orchestra, Vladimir Jurowski | G Major | 0 | 9B | 79 BPM | ||
Etudes: I. Tendus - grands battements - fondus - frappés | Knudåge Riisager, Gennady Rozhdestvensky, Danish National Symphony Orchestra | C Major | 3 | 8B | 134 BPM |
Section: 0.7308218479156494
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