Giacomo Meyerbeer, Elizabeth Futral, Vladimir Ognev, Darina Takova, Aled Hall, Christopher Maltman, Juan Diego Flórez, Agnete Munk Rasmussen, Patrizia Cigna, Robert Lee, Fernand Bernadi, Luis Ledesma, Wexford Festival Opera Chorus, RTÉ National Symphony Orchestra, Vladimir Jurowski's 'L'etoile du nord: Act III: Entr'acte' came out on September 5, 1997. With L'etoile du nord: Act III: Entr'acte being less than two minutes long, at 1:32, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Giacomo Meyerbeer's "Meyerbeer: Etoile Du Nord (L')" album is number 1 out of 39. L'etoile du nord: Act III: Entr'acte is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of L'etoile du nord: Act III: Entr'acte by Giacomo Meyerbeer, Elizabeth Futral, Vladimir Ognev, Darina Takova, Aled Hall, Christopher Maltman, Juan Diego Flórez, Agnete Munk Rasmussen, Patrizia Cigna, Robert Lee, Fernand Bernadi, Luis Ledesma, Wexford Festival Opera Chorus, RTÉ National Symphony Orchestra, Vladimir Jurowski to be Andante (at a walking pace) because the track has a tempo of 79 BPM, a half-time of 40BPM, and a double-time of 158 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Respighi: Pines of Rome P. 141: The Pines of Janiculum | Ottorino Respighi, San Francisco Symphony, Esa-Pekka Salonen | B Major | 0 | 1B | 95 BPM | ||
En Sommernat På Møns Klint, Fantasi (1843) | Hans Christian Lumbye, Tivoli Symphony Orchestra | E Major | 3 | 12B | 148 BPM | ||
Le prophète, Act III: Dieu puissant! (Live) | Giacomo Meyerbeer, Eugène Scribe, John Osborn, Aalto Theatre Opera Chorus, Essener Philharmoniker, Giuliano Carella | G Major | 0 | 9B | 87 BPM | ||
Robert le Diable, Act I: Récit. Ô mon prince ! Ô mon maître ! | Giacomo Meyerbeer, John Osborn, Amina Edris, Orchestre National Bordeaux Aquitaine, Marc Minkowski | B♭ Major | 1 | 6B | 135 BPM | ||
Abbey Road concerto for Violin and Orchestra: XII. Maxwell’s Silver Hammer | Guy Braunstein, Orchestre Philharmonique Royal de Liège, Alondra de la Parra | A Major | 5 | 11B | 157 BPM | ||
Der Fischer und das Milchmädchen: XIII. Molto moderato | Giacomo Meyerbeer, Czech Philharmonic Chamber Orchestra, Dario Salvi | D Major | 1 | 10B | 77 BPM | ||
弦楽のためのアダージョ (バーバー)[式後の音楽] | ソフィア交響楽団 | B♭ Minor | 1 | 3A | 78 BPM | ||
Symphony No. 8: II. Andante grazioso | Paul von Klenau, Singapore Symphony Orchestra, Hans Graf | G Major | 0 | 9B | 76 BPM | ||
Selig sind die Toten | Heinrich Schütz, Elizabeth Futral, Judith Malafronte, Frederick Urrey, Wilbur Pauley, Richard Westenburg | G Major | 1 | 9B | 127 BPM | ||
Cinderella, Op. 87, Act II: The Stepsister's Dance | Sergei Prokofiev, WDR Sinfonieorchester Köln, Michail Jurowski | A♭ Major | 3 | 4B | 91 BPM |
Section: 0.6106939315795898
End: 0.6165690422058105