"Robert le Diable, Act I: Récit. Ô mon prince ! Ô mon maître !" by Giacomo Meyerbeer, John Osborn, Amina Edris, Orchestre National Bordeaux Aquitaine, Marc Minkowski was released on September 23, 2022. The duration of Robert le Diable, Act I: Récit. Ô mon prince ! Ô mon maître ! is about two minutes long, specifically at 2:44. This song does not appear to have any foul language. Robert le Diable, Act I: Récit. Ô mon prince ! Ô mon maître !'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Giacomo Meyerbeer, Orchestre National Bordeaux Aquitaine, Marc Minkowski, John Osborn's "Meyerbeer: Robert le Diable" album is number 4 out of 49. On top of that, Italy appears to be the country where this track was created. Based on our statistics, Robert le Diable, Act I: Récit. Ô mon prince ! Ô mon maître !'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Robert le Diable, Act I: Récit. Ô mon prince ! Ô mon maître ! by Giacomo Meyerbeer, John Osborn, Amina Edris, Orchestre National Bordeaux Aquitaine, Marc Minkowski to be Allegro (fast, quick, and bright) because the track has a tempo of 135 BPM, a half-time of 68BPM, and a double-time of 270 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
L'africaine "Vasco da Gama" (J. Selk Critical Edition), Act I: Le conseil souverain | Giacomo Meyerbeer, Andreas Bauer Kanabas, Michael Spyres, Magnus Baldvinsson, Thomas Faulkner, Michael McCown, Antonello Manacorda, Frankfurter Opern- und Museumsorchester, Frankfurt Opera Chorus | C Major | 2 | 8B | 133 BPM | ||
Concerto in F Minor, Op. 5 "Grand": I. Allegro | Bernhard Henrik Crusell, Michael Collins, Swedish Chamber Orchestra | F Minor | 1 | 4A | 131 BPM | ||
L'elisir d'amore: Overture (Preludio) | Gaetano Donizetti, English Chamber Orchestra, Richard Bonynge | D Major | 0 | 10B | 169 BPM | ||
Symphony in C Minor, EG 119: II. Adagio espressivo | Edvard Grieg, Malmö Symphony Orchestra, Bjarte Engeset | E Major | 1 | 12B | 78 BPM | ||
Introduction et variations sur La belle meunière in E Minor, Op. 160, D. 802: III. Var. I | Franz Schubert, Emmanuel Pahud, Eric Le Sage | D Major | 2 | 10B | 101 BPM | ||
Messa da Requiem: II Lacrymosa | Mass Text, Giuseppe Verdi, Elena Filipova, Hungarian State Opera Chorus, Cesar Hernandez, Gloria Scalchi, Carlo Colombara, Hungarian State Opera Orchestra | B♭ Minor | 1 | 3A | 77 BPM | ||
Il Signor Bruschino: Sinfonia | Gioachino Rossini, English Chamber Orchestra, Ion Marin, John Constable | A♭ Major | 2 | 4B | 80 BPM | ||
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: I. Moderato (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | C Major | 1 | 8B | 68 BPM | ||
Symphony No. 4 In D Minor, Op. 120: 3. Scherzo | Robert Schumann, Wiener Philharmoniker, Herbert von Karajan | F♯ Major | 0 | 2B | 95 BPM | ||
Divertissement, Vorstellungen 1803: No. 5, Marcia | Paul Wranitzky, Czech Philharmonic Chamber Orchestra, Marek Štilec | D Major | 1 | 10B | 92 BPM |
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