Slovak Sinfonietta, Zilina, Johann Strauss I made "Einzugs-galopp, Op. 35" available on October 29, 2003. With Einzugs-galopp, Op. 35 being less than two minutes long, at 1:31, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Slovak Sinfonietta, Zilina's "Johann Strauss I: Edition - Vol. 3" album is number 8 out of 15. On top of that, Hong Kong appears to be the country where this track was created. Based on our statistics, Einzugs-galopp, Op. 35's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Einzugs-galopp, Op. 35 by Slovak Sinfonietta, Zilina, Johann Strauss I to be Allegro (fast, quick, and bright) because the track has a tempo of 145 BPM, a half-time of 72BPM, and a double-time of 290 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Hérold & Lanchbery: La fille mal gardée, Act 1: No. 3, Lisa et le ruban | Ferdinand Hérold, John Lanchbery, Royal Liverpool Philharmonic Orchestra, Barry Wordsworth | G Major | 0 | 9B | 96 BPM | ||
Die Puppenfee (The Fairy Doll): No. 20 | Josef Bayer, Slovak Radio Symphony Orchestra, Andrew Mogrelia | D Major | 1 | 10B | 154 BPM | ||
Hérold & Lanchbery: La fille mal gardée, Act 1: No. 2, Dance du coq et des poules | Ferdinand Hérold, John Lanchbery, Royal Liverpool Philharmonic Orchestra, Barry Wordsworth | D Major | 4 | 10B | 164 BPM | ||
Dagmar Polka (1866) | Hans Christian Lumbye, Tivoli Symphony Orchestra | A Major | 2 | 11B | 168 BPM | ||
Schwedische Tanze (Swedish Dances) Suite No. 1, Op. 63: VIII. Vivace | Max Bruch, South West German Radio Kaiserslautern Orchestra, Werner Andreas Albert | G Major | 2 | 9B | 87 BPM | ||
Symphonie No. 3 in E-Flat Major, Op. 97: III. Nicht schnell (Moderato) | Robert Schumann, Dresdner Philharmonie, Marek Janowski | A♭ Major | 0 | 4B | 100 BPM | ||
Achmet und Zenide, Act IV: Marsch | Paul Wranitzky, Czech Philharmonic Chamber Orchestra, Marek Štilec | B♭ Major | 2 | 6B | 108 BPM | ||
Mendelssohn: Symphony No. 4 in A Major, Op. 90, MWV N16 "Italian": II. Andante con moto | Felix Mendelssohn, Philharmonia Orchestra, Otto Klemperer | E Major | 1 | 12B | 144 BPM | ||
Chantilly, Waltz, Op. 171 | Émile Waldteufel, Slovak State Philharmonic Orchestra, Kosice, Alfred Walter | B♭ Major | 2 | 6B | 99 BPM | ||
21 Hungarian Dances, WoO 1 (Excerpts Arr. A. Dvořák for Orchestra): No. 18, Molto vivace | Johannes Brahms, Bamberg Symphony, Jakub Hrůša | G Major | 3 | 9B | 99 BPM |
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