"Symphonie No. 3 in E-Flat Major, Op. 97: III. Nicht schnell (Moderato)" by Robert Schumann, Dresdner Philharmonie, Marek Janowski was released on 2022. With this song being about 5 minutes long, at 4:53, "Symphonie No. 3 in E-Flat Major, Op. 97: III. Nicht schnell (Moderato)" by Robert Schumann, Dresdner Philharmonie, Marek Janowski is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 17 in the song's album "Schumann: Complete Symphonies". In this album, this song's track order is #3. Furthermore, we believe that the track originated from Netherlands. In terms of popularity, Symphonie No. 3 in E-Flat Major, Op. 97: III. Nicht schnell (Moderato) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Symphonie No. 3 in E-Flat Major, Op. 97: III. Nicht schnell (Moderato) by Robert Schumann, Dresdner Philharmonie, Marek Janowski having a BPM of 100 with a half-time of 50 BPM and a double-time of 200 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sinfonia In E Flat Major, Wq. 183/2, H. 664: II. Larghetto | Carl Philipp Emanuel Bach, Salzburg Chamber Philharmonic Orchestra | F Major | 0 | 7B | 133 BPM | ||
Schumann: Liederkreis, Op. 24: No. 2, Es treibt mich hin | Heinrich Heine, Robert Schumann, Ian Bostridge, Julius Drake | F♯ Major | 1 | 2B | 168 BPM | ||
Don Sanche (The Castle of Love), S476/R13: Part I: Entr'acte | Franz Liszt, Gérard Garino, Julia Hamari, Istvan Gati, Katalin Farkas, Ildiko Komlosi, Mária Zádori, Gábor Kállay, Hungarian Radio and Television Chorus, Hungarian State Opera Orchestra, Tamas Pal | E Major | 2 | 12B | 90 BPM | ||
5 Pieces en concert (arr. P. Bazelaire for cello and strings): III. Tromba | Paul Bazelaire, François Couperin, János Starker, Santa Fe Festival Orchestra | G Major | 3 | 9B | 64 BPM | ||
Madama Butterfly, SC 74, Act I: Vogliatemi bene | Giacomo Puccini, Cincinnati Pops Orchestra, Erich Kunzel | F♯ Minor | 4 | 11A | 80 BPM | ||
Das listige Bauernmädchen: No. 3, Allegretto | Paul Wranitzky, Czech Philharmonic Chamber Orchestra, Marek Štilec | D Major | 1 | 10B | 92 BPM | ||
The New Four Seasons - Winter: III. Slipping and Falling (After Violin Concerto No. 4, Op. 8, RV 297, III. Allegro, Arr. by Wolf Kerschek) | Antonio Vivaldi, Niklas Liepe, WDR Funkhausorchester, Patrick Lange | F Minor | 2 | 4A | 133 BPM | ||
Faschingsschwank aus Wien, Op. 26: IV. Intermezzo (Colla più grande energia) | Robert Schumann, Maria João Pires | D♭ Major | 2 | 3B | 109 BPM | ||
La bergère châtelaine, S. 5 (Excerpts): Entr'acte to Act II | Daniel Auber, Czech Philharmonic Chamber Orchestra, Dario Salvi | A Major | 2 | 11B | 111 BPM | ||
Das Waldmädchen: No. 10, Larghetto | Paul Wranitzky, Czech Philharmonic Chamber Orchestra, Marek Štilec | F Major | 1 | 7B | 100 BPM |
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