"Aria de Acis y Galatea" by Maria Bayo, J.A. Alvarez-Parejo was released on January 1, 1992. With this song being around four minutes long, at 3:52, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 26 out of 33 in Canciones Españolas by Maria Bayo & J.A. Alvarez-Parejo. The popularity of Aria de Acis y Galatea is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Aria de Acis y Galatea by Maria Bayo, J.A. Alvarez-Parejo is Vivace (lively and fast), since this song has a tempo of 173 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Offenbach: Les contes d'Hoffmann, Act II: "Les oiseaux dans la charmille" (Olympia) | Jacques Offenbach, Natalie Dessay, Patrick Fournillier, Monte-Carlo Philharmonic Orchestra | A♭ Major | 0 | 4B | 174 BPM | ||
La Calisto, Act I Scene 4: "Non è maggior piacere" (Calisto) | Francesco Cavalli, René Jacobs, Maria Bayo, Concerto Vocale | F Major | 1 | 7B | 116 BPM | ||
Les Contes d'Hoffmann / Act 2: "Belle nuit, ô nuit d'amour" | Jacques Offenbach, Dame Joan Sutherland, Huguette Tourangeau, Chorus Pro Arte Lausanne Du Brassus, Radio Suisse Romande Chorus, Orchestre de la Suisse Romande, Richard Bonynge | D Major | 1 | 10B | 82 BPM | ||
Donizetti: Lucia di Lammermoor, Act 1: "Regnava nel silenzio alta la notte e bruna" (Lucia, Alisa) | Gaetano Donizetti, Maria Callas, Margreta Elkins, Tullio Serafin, Philharmonia Orchestra | D♭ Major | 1 | 3B | 74 BPM | ||
Gounod: Faust, CG 4, Act 5 Scene 6: No. 31, Trio-Finale, "Alerte, alerte, ou vous êtes perdus" (Méphistophélès, Marguerite, Faust) - No. 32, Apothéose "Sauvée! Christ est ressuscité" (Choeur) | Charles Gounod, Michel Plasson, Orchestre National Du Capitole De Toulouse | D Major | 0 | 10B | 84 BPM | ||
Carmen (Act I, Sequedille) | Agnes Baltsa | D Major | 2 | 10B | 112 BPM | ||
Marina, Act I, Scene 1: Preludio, Coro de Pescadores y Barcarola de Marina (Coro, Marina) | Emilio Arrieta, Victor Pablo Pérez, Maria Bayo, Orquesta Sinfonica De Tenerife, Coro de Cámara de Tenerife, Coro del Conservatorio Suprior de Música de Tenerife, Rondalla de tenerife | E Minor | 1 | 9A | 104 BPM | ||
Les Pecheurs de Perles) (new edition of original 1863 version: part orch. A. Hammond), ACTE I: Je crois entendre encore (Nadir) | Georges Bizet, John Aler, Michel Plasson, Wolff, Orchestre Du Capitole De Toulouse | A Minor | 0 | 8A | 174 BPM | ||
Exsultate, Jubilate - K165 (158a) | Wolfgang Amadeus Mozart, Maria Bayo, Orquesta Sinfónica de Galicia, Victor Pablo Pérez | G Major | 3 | 9B | 144 BPM | ||
Luisa Fernanda: Vidal y Coro de Vareadores | Federico Moreno Torroba, Maria Bayo, Orquesta Sinfonica De Tenerife, Antonio Ros Marbà, Coro Polifonico De La Universidad De La Laguna, Ana Rodrigo, Juan Pons | A♭ Major | 2 | 4B | 94 BPM |
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