Federico Moreno Torroba, Maria Bayo, Orquesta Sinfonica De Tenerife, Antonio Ros Marbà, Coro Polifonico De La Universidad De La Laguna, Ana Rodrigo, Juan Pons's 'Luisa Fernanda: Vidal y Coro de Vareadores' came out on January 1, 1996. With this song being around four minutes long, at 4:03, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Viva la Zarzuela ! by Maria Bayo. The song's track number on the album is #13 out of 17 tracks. In terms of popularity, Luisa Fernanda: Vidal y Coro de Vareadores is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Luisa Fernanda: Vidal y Coro de Vareadores by Federico Moreno Torroba, Maria Bayo, Orquesta Sinfonica De Tenerife, Antonio Ros Marbà, Coro Polifonico De La Universidad De La Laguna, Ana Rodrigo, Juan Pons has a tempo of 94 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Luisa Fernanda: Vidal y Coro de Vareadores being at 94 BPM, the half-time would be 47 BPM with a double-time of 188 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 1/4.
A♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite del recuerdo: Zamba | Jose Luis Merlin, Jason Vieaux | E Minor | 1 | 9A | 84 BPM | ||
Homenaje, "Le Tombeau de Claude Debussy" (version for guitar) | Manuel de Falla, Johannes Möller | F Major | 0 | 7B | 77 BPM | ||
The Troubadours Three: Celebration | Stjepan Šulek, Ana Vidovic | F Major | 1 | 7B | 85 BPM | ||
Suite, Castellana: II "Arada" | Federico Moreno Torroba, Alexander-Sergei Ramírez | D Minor | 0 | 7A | 94 BPM | ||
Carcassi op.60 n.2 moderato con espressivo | Matteo Carcassi, Lucio Matarazzo | A Minor | 5 | 8A | 105 BPM | ||
Seis por derecho - Joropo | Antonio Lauro, Pablo Sainz Villegas | G Major | 4 | 9B | 100 BPM | ||
Les guitares bien temperees (The Well-Tempered Guitars): Preludes and Fugues, Op. 199: Fugue No. 1 in G Minor | Mario Castelnuovo-Tedesco, Brasil Guitar Duo | G Minor | 1 | 6A | 140 BPM | ||
Habanera | Eduardo Sainz De La Maza, Margarita Escarpa | G Major | 0 | 9B | 106 BPM | ||
Monte Carmelo: "Habanera" | Federico Romero, Guillermo Fdez. Shaw, Federico Moreno Torroba, Pepita Rollán, Gran Orquest Sinfónica del Teatro Calderón de Madrid | E♭ Major | 4 | 5B | 172 BPM | ||
Interludios: Allegretto | Federico Moreno Torroba, Agustín Maruri, Robert Hyman, Paul Mathews, Steve Gleed, Michael Kevin Jones | G Major | 1 | 9B | 81 BPM |
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