"Call the Boss" by Melbourne Symphony Orchestra, Nigel Westlake was released on July 3, 2015. The duration of Call the Boss is about 3 minutes long, at 3:26. Based on our data, "Call the Boss" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 17 out of 19 in Babe (Music from the Original Motion Picture) by Melbourne Symphony Orchestra, Nigel Westlake. In terms of popularity, Call the Boss is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Call the Boss by Melbourne Symphony Orchestra, Nigel Westlake is Moderato (at a moderate speed), since this song has a tempo of 112 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
El Gato - Live | Ben Robertson, Benjamin Northey, David Jones, Doug De Vries, James Morrison, Melbourne Symphony Orchestra | B♭ Minor | 9 | 3A | 134 BPM | ||
Rush Theme -String Orchestra Arrangement | George Dreyfus, Melbourne Symphony Orchestra | D Major | 2 | 10B | 100 BPM | ||
The Planets, Op. 32: I. Mars, the Bringer of War | Gustav Holst, Stuttgart Radio Symphony Orchestra, Sir Roger Norrington | G Major | 4 | 9B | 133 BPM | ||
Carmen Suite No. 1: III. Intermezzo, Interlude before Act III | Georges Bizet, Marc Soustrot, Aarhus Symphony Orchestra | D Major | 1 | 10B | 134 BPM | ||
Peter and the Wolf, Op. 67: VII. In The Meantime | Dame Edna Everage, Melbourne Symphony Orchestra | C Major | 1 | 8B | 128 BPM | ||
Pines Of Rome | Chicago Symphony Orchestra | F Major | 2 | 7B | 80 BPM | ||
St. Matthew Passion, BWV 244: Erbarme dich (Arr. Parkin for Violin, Cello and Chamber Ensemble) | Johann Sebastian Bach, Christian Li, David Berlin, Melbourne Symphony Orchestra | B Minor | 1 | 10A | 102 BPM | ||
Walkürenritt (Ride of the Valkyries) | Richard Wagner, Gustav Kuhn | G Major | 4 | 9B | 91 BPM | ||
L'histoire de Babar, le petit elephant (The Story of Babar, the Little Elephant), FP 129: VII. Babar Returns to the Forest | Barry Humphries, Melbourne Symphony Orchestra | F♯ Major | 0 | 2B | 128 BPM | ||
The Young Person's Guide to the Orchestra: Variations and Fugue on a Theme of Henry Purcell, Op. 34: Variations E - H [String Variations] | Dame Edna Everage, Melbourne Symphony Orchestra | B Major | 0 | 1B | 133 BPM |
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