"The Planets, Op. 32: I. Mars, the Bringer of War" by Gustav Holst, Stuttgart Radio Symphony Orchestra, Sir Roger Norrington was released on May 11, 2018. Since The Planets, Op. 32: I. Mars, the Bringer of War is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Stuttgart Radio Symphony Orchestra, Sir Roger Norrington's "Holst: The Planets, Op. 32 - Elgar: Serenade for Strings in E Minor, Op. 20" album is number 1 out of 10. On top of that, Germany appears to be the country where this track was created. Based on our statistics, The Planets, Op. 32: I. Mars, the Bringer of War's popularity is average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The Planets, Op. 32: I. Mars, the Bringer of War by Gustav Holst, Stuttgart Radio Symphony Orchestra, Sir Roger Norrington to be Allegro (fast, quick, and bright) because the track has a tempo of 133 BPM, a half-time of 66BPM, and a double-time of 266 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 5/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mussorgsky, Ravel: Pictures at an Exhibition, M. A 24: I. The Gnome | Modest Mussorgsky, Oslo Philharmonic Orchestra, Mariss Jansons | B Major | 1 | 1B | 86 BPM | ||
Toccata and Fugue in D Minor, BWV 565: 2. Fugue | Johann Sebastian Bach, Simon Preston | D Minor | 2 | 7A | 91 BPM | ||
Ludwig van Beethoven: Life and Works: Ninth symphony (Scherzo) (exc.) | Jeremy Siepmann | D Minor | 3 | 7A | 84 BPM | ||
Give Us This Day: II. Very fast | David Maslanka, University of New Hampshire Wind Symphony, Andrew Boysen, Jr. | F Major | 3 | 7B | 92 BPM | ||
Finlandia, Op. 26 | Jean Sibelius, Lahti Symphony Orchestra, Osmo Vänskä | A♭ Major | 2 | 4B | 75 BPM | ||
Fanfare for the Common Man | Aaron Copland, Los Angeles Philharmonic, Zubin Mehta | B♭ Major | 2 | 6B | 73 BPM | ||
III. Oxford, The Gypsies - Journey Across Europe | John Corigliano, Esa-Pekka Salonen | D Major | 1 | 10B | 121 BPM | ||
Pelleas et Melisande, Op. 80 (arr. C. Koechlin): III. Andante moderato | Charles Koechlin, Gabriel Fauré, Sarah Wegener, Stuttgart Radio Symphony Orchestra, Heinz Holliger | E Major | 1 | 12B | 94 BPM | ||
Serenade in E Minor, Op. 20: III. Allegretto | Edward Elgar, Stuttgart Radio Symphony Orchestra, Sir Roger Norrington | G Major | 1 | 9B | 102 BPM | ||
The Sorcerer's Apprentice | Philharmonia Orchestra | D♭ Major | 2 | 3B | 130 BPM |
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