Peter and the Wolf, Op. 67: VII. In The Meantime - Dame Edna Everage, Melbourne Symphony Orchestra Information

Acousticness: 90%
Danceability: 51%
Energy: 6%
Instrumentalness: 0%
Liveness: 11%
Loudness: 60%
Speechiness: 16%
Valence: 23%
Popularity: 2%
Loudness: -23.746 dB

Summary

Dame Edna Everage, Melbourne Symphony Orchestra's 'Peter and the Wolf, Op. 67: VII. In The Meantime' came out on September 12, 1997. With this song being around four minutes long, at 4:27, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 30 in the song's album "Prokofiev: Peter and the Wolf / Britten: Young Person's Guide To the Orchestra (Children's Classics)". In this album, this song's track order is #7. Based on our statistics, Peter and the Wolf, Op. 67: VII. In The Meantime's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.

Peter and the Wolf, Op. 67: VII. In The Meantime BPM

With Peter and the Wolf, Op. 67: VII. In The Meantime by Dame Edna Everage, Melbourne Symphony Orchestra having a BPM of 128 with a half-time of 64 BPM and a double-time of 256 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.

Peter and the Wolf, Op. 67: VII. In The Meantime Key

C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Trial by Jury: I Love Him	Gilbert & Sullivan Society of Houston	G Major	3	9B	75 BPM
Peter and the Wolf, Op. 67: V. Grandfather	Wiener Opernorchester	D♭ Major	1	3B	77 BPM
Orchestral Variations - 'The Seeds Long Hidden': Variation 3	Anthony Payne, BBC Symphony Orchestra, Martyn Brabbins	B♭ Minor	1	3A	73 BPM
Collage über B-A-C-H: II. Sarabande	Arvo Pärt, Amsterdam Sinfonietta, Candida Thompson	D Minor	1	7A	79 BPM
A Month in the Country, Op. 446: II. Alla marcia	Howard Blake, English Northern Philharmonia, Paul Daniel	G Major	1	9B	123 BPM
Song of Australia - Canto 7 (with Carl Davis Conducting the London Symphony Orchestra and the New Antipodean Singers) - 2009 Remaster	Dame Edna Everage, Carl Davis, London Symphony Orchestra, The New Antipodean Singers	G Major	2	9B	132 BPM
Medley from "Cinderella" (Arr. J. Eskew)	Mack David, Jerry Livingston, Al Hoffman, Cincinnati Pops Orchestra, Erich Kunzel, Indiana University Singing Hoosiers	D Minor	4	7A	125 BPM
Proving the Existence of Folkloric Creatures	Milo Paulus	F♯ Major	3	2B	65 BPM
5 Preludes: No. 4. Andante con moto	William Alwyn, Royal Liverpool Philharmonic Orchestra, David Lloyd-Jones	E Major	0	12B	0 BPM
Trumpet Concerto in B-Flat Major, Op. 94: I. Etudes: I	Mieczysław Weinberg, Sergei Nakariakov, Christian Lindberg, Liepaja Symphony Orchestra	D Minor	4	7A	93 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.8314661979675293

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