"Carmen Suite No. 1: III. Intermezzo, Interlude before Act III" by Georges Bizet, Marc Soustrot, Aarhus Symphony Orchestra was released on September 1, 2016. The duration of Carmen Suite No. 1: III. Intermezzo, Interlude before Act III is about two minutes long, specifically at 2:53. This song does not appear to have any foul language. Carmen Suite No. 1: III. Intermezzo, Interlude before Act III's duration is considered a little bit shorter than the average duration of a typical track. The song is number 7 out of 17 in Bizet: Symphony in C Major - Carmen Suite No. 1 - L'Arlésienne Suites Nos. 1 & 2 by Georges Bizet, Marc Soustrot, Aarhus Symphony Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from Denmark. Based on our statistics, Carmen Suite No. 1: III. Intermezzo, Interlude before Act III's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Carmen Suite No. 1: III. Intermezzo, Interlude before Act III by Georges Bizet, Marc Soustrot, Aarhus Symphony Orchestra is Allegro (fast, quick, and bright), since this song has a tempo of 134 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Divertimento: II. Waltz: Allegretto, con grazia | Leonard Bernstein, Bournemouth Symphony Orchestra, Marin Alsop | D♭ Major | 1 | 3B | 106 BPM | ||
The Wreckers: Overture | Dame Ethel Smyth, Sakari Oramo, BBC Symphony Orchestra | C Major | 8 | 8B | 176 BPM | ||
Jazz Suite No. 2: III. Dance 1 | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | A Major | 3 | 11B | 153 BPM | ||
Peter and the Wolf, Op. 67 (Without Narration): The Bird | Sergei Prokofiev, Slovak Radio Symphony Orchestra, Ondrej Lenard | C Major | 0 | 8B | 99 BPM | ||
Bizet: Carmen: No. 1 Prélude | Georges Bizet, Michel Plasson, Orchestre National Du Capitole De Toulouse, Wolff | D Minor | 3 | 7A | 129 BPM | ||
Saint-Saëns: Piano Concerto No. 2 in G Minor, Op. 22: III. Presto | Camille Saint-Saëns, Bertrand Chamayou, Emmanuel Krivine, Orchestre National De France | C Minor | 4 | 5A | 110 BPM | ||
Boccherini: String Quintet in E Major, Op. 11 No. 5, G. 275: III. Minuetto - Trio (Arr. Woodhouse for String Orchestra) | Luigi Boccherini, Sir Neville Marriner, Academy of St. Martin in the Fields | A Major | 0 | 11B | 85 BPM | ||
Intermezzo | Pietro Mascagni, James Levine | F Major | 2 | 7B | 84 BPM | ||
Holberg Suite, Op. 40: V. Rigaudon (Allegro con brio) | Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi | G Major | 0 | 9B | 85 BPM | ||
Clovis et Clotilde: Introduction | Georges Bizet, Katarina Jovanovic, Philippe Do, Mark Schnaible, Orchestre National de Lille, Jean-Claude Casadesus | F Minor | 3 | 4A | 171 BPM |
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