Georges Bizet, Katarina Jovanovic, Philippe Do, Mark Schnaible, Orchestre National de Lille, Jean-Claude Casadesus's 'Clovis et Clotilde: Introduction' came out on November 16, 2010. With this song being around four minutes long, at 3:38, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 1 out of 17 in Bizet: Clovis et Clotilde - Te Deum by Georges Bizet, Jean-Claude Casadesus. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. The popularity of Clovis et Clotilde: Introduction is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Clovis et Clotilde: Introduction by Georges Bizet, Katarina Jovanovic, Philippe Do, Mark Schnaible, Orchestre National de Lille, Jean-Claude Casadesus is Vivace (lively and fast), since this song has a tempo of 171 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Le roi s'amuse: Final | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | A Minor | 1 | 8A | 94 BPM | ||
Carmen: Act I: Dans l'air nous suivons des yeux la fumee | Georges Bizet, Alexandrina Milcheva, Nikola Nikolov, Liliana Vassileva, Nicola Ghiuselev, Stefka Popangelova, Tsvetanka Arshinkova, Milen Paounov, Verter Vrachovsky, Pavel Gerdjikov, Georgi Genov, Sofia National Opera Chorus, Sofia National Opera Orchestra, Ivan Marinov | E Major | 1 | 12B | 78 BPM | ||
6 Moments musicaux, Op. 16: No. 1, Andantino | Sergei Rachmaninoff, Boris Giltburg | E Minor | 2 | 9A | 126 BPM | ||
Le roi s'amuse: Madrigal | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | A Major | 0 | 11B | 82 BPM | ||
Swan Lake, Op. 20 - Mariinsky Version / Act 2: Danse hongroise. Czardas (Moderato assai - Allegro moderato - Vivace) | Pyotr Ilyich Tchaikovsky, Mariinsky Orchestra, Valery Gergiev | A Minor | 2 | 8A | 79 BPM | ||
Symphony No. 3 in D Major, D.200: II. Allegretto | Franz Schubert, Wiener Philharmoniker, Carlos Kleiber | G Major | 0 | 9B | 115 BPM | ||
L'Arlésienne Suite No. 2 (Arr. E. Guiraud for Orchestra): I. Pastorale | Ernest Guiraud, Georges Bizet, Budapest Philharmonic Orchestra, Janos Sandor | A Major | 1 | 11B | 103 BPM | ||
Symphony in C Minor, EG 119: II. Adagio espressivo | Edvard Grieg, Malmö Symphony Orchestra, Bjarte Engeset | E Major | 1 | 12B | 78 BPM | ||
Strauss, R / Arr. Prihoda for Violin and Piano: Stimmungsbilder, Op. 9: No. 2, An einsamer Quelle | Richard Strauss, Renaud Capuçon, Jerome Ducros | E♭ Major | 3 | 5B | 100 BPM | ||
Piece en forme de habanera (arr. A. Hoeree for violin and orchestra) | Maurice Ravel, Arthur Hoeree, Jennifer Gilbert, Orchestre National De Lyon, Leonard Slatkin | G Major | 0 | 9B | 68 BPM |
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