"Swan Lake, Op. 20 - Mariinsky Version / Act 2: Danse hongroise. Czardas (Moderato assai - Allegro moderato - Vivace)" by Pyotr Ilyich Tchaikovsky, Mariinsky Orchestra, Valery Gergiev was released on January 1, 2007. The duration of Swan Lake, Op. 20 - Mariinsky Version / Act 2: Danse hongroise. Czardas (Moderato assai - Allegro moderato - Vivace) is about two minutes long, specifically at 2:41. This song does not appear to have any foul language. Swan Lake, Op. 20 - Mariinsky Version / Act 2: Danse hongroise. Czardas (Moderato assai - Allegro moderato - Vivace)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 30 in the song's album "Tchaikovsky: Swan Lake (highlights)". In this album, this song's track order is #24. Furthermore, we believe that the track originated from United Kingdom. Swan Lake, Op. 20 - Mariinsky Version / Act 2: Danse hongroise. Czardas (Moderato assai - Allegro moderato - Vivace) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Swan Lake, Op. 20 - Mariinsky Version / Act 2: Danse hongroise. Czardas (Moderato assai - Allegro moderato - Vivace) by Pyotr Ilyich Tchaikovsky, Mariinsky Orchestra, Valery Gergiev having a BPM of 79 with a half-time of 40 BPM and a double-time of 158 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cello Concerto In A Minor, Op.129: 3. Sehr lebhaft | Robert Schumann, Mstislav Rostropovich, Leningrad Philharmonic Orchestra, Gennady Rozhdestvensky | C Major | 2 | 8B | 115 BPM | ||
Chopin: Cello Sonata in G Minor, Op. 65: II. Scherzo. Allegro con brio | Frédéric Chopin, Jacqueline du Pré, Daniel Barenboim | B Major | 1 | 1B | 76 BPM | ||
Symphony No.3 In E Flat, Op.10, B. 34: 3. Finale (Allegro vivace) | Antonín Dvořák, Wiener Philharmoniker, Myung-Whun Chung | E♭ Major | 3 | 5B | 101 BPM | ||
Don Quixote: Act III: Coda | Ludwig Minkus, Sofia National Opera Orchestra, Nayden Todorov | G Major | 3 | 9B | 75 BPM | ||
Kashchei the Immortal: Dni byez prosveta | Nikolai Rimsky-Korsakov, Marina Shaguch, Konstantin Pluzhnikov, Mariinsky Orchestra, Valery Gergiev | F Minor | 0 | 4A | 102 BPM | ||
Deux Arabesques L. 66: No. 2 Allegretto scherzande | Claude Debussy, Pascal Rogé | A Minor | 0 | 8A | 145 BPM | ||
Capriccio Espagnol: Variazioni | Nikolai Rimsky-Korsakov, London Philharmonic Orchestra, Alexander Lazarev, Joakim Svenheden | F Major | 1 | 7B | 81 BPM | ||
Symphony No. 4 in C Minor, Op. 43: IV. Largo | Dmitri Shostakovich, Rotterdam Philharmonic Orchestra, Yannick Nézet-Séguin | F♯ Major | 1 | 2B | 85 BPM | ||
L'Arlésienne Suite No. 2, WD 28: 3. Menuet | Georges Bizet, Orchestre de Paris, Semyon Bychkov | E♭ Major | 0 | 5B | 78 BPM | ||
Giselle: Act II: Entree des paysans (Peasants Enter) | Adolphe Adam, Slovak Radio Symphony Orchestra, Andrew Mogrelia | D Major | 0 | 10B | 103 BPM |
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