Robert Schumann, Mstislav Rostropovich, Leningrad Philharmonic Orchestra, Gennady Rozhdestvensky's 'Cello Concerto In A Minor, Op.129: 3. Sehr lebhaft' came out on January 1, 1995. Since Cello Concerto In A Minor, Op.129: 3. Sehr lebhaft is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 6 in the song's album "Schumann: Piano Concerto Op.54; Cello Concerto Op.129". In this album, this song's track order is #6. In terms of popularity, Cello Concerto In A Minor, Op.129: 3. Sehr lebhaft is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Cello Concerto In A Minor, Op.129: 3. Sehr lebhaft by Robert Schumann, Mstislav Rostropovich, Leningrad Philharmonic Orchestra, Gennady Rozhdestvensky having a BPM of 115 with a half-time of 58 BPM and a double-time of 230 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Sonata No. 2 in B-Flat Minor, Op. 36: I. Allegro agitato | Sergei Rachmaninoff, Vladimir Horowitz | B♭ Minor | 1 | 3A | 93 BPM | ||
Concerto for Violin and Orchestra no.1 in F sharp minor op.14: 2. Preghiera. Larghetto | Henryk Wieniawski, Gil Shaham, London Symphony Orchestra, Lawrence Foster | A Major | 0 | 11B | 60 BPM | ||
6 Pieces, Op. 94: No. 2 Nouvellette | Jean Sibelius, Håvard Gimse | F Major | 1 | 7B | 69 BPM | ||
Symphony No.2 in E flat, Op.63: 3. Rondo. Presto | Edward Elgar, Staatskapelle Berlin, Daniel Barenboim | G Major | 2 | 9B | 138 BPM | ||
Berlioz: Symphonie fantastique, Op. 14, H 48: II. Un bal. Valse. Allegro non troppo | Hector Berlioz, Berliner Philharmoniker, Sir Simon Rattle | F Major | 1 | 7B | 137 BPM | ||
Peer Gynt Suite No. 2, Op. 55: III. Peer Gynt's Return | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | F♯ Minor | 2 | 11A | 150 BPM | ||
Piano Trio No. 2 in C Major, Op. 87: IV. Finale (Allegro giocoso) | Johannes Brahms, Maria João Pires, Augustin Dumay, Jian Wang | C Major | 2 | 8B | 86 BPM | ||
Mazurka No. 52 In B Flat (1826) | Frédéric Chopin, Vladimir Ashkenazy | G Major | 1 | 9B | 95 BPM | ||
String Quartet No. 1 in E Flat Major, Op. 12, MWV R 25: III. Andante espressivo | Felix Mendelssohn, Emerson String Quartet | B♭ Minor | 0 | 3A | 103 BPM | ||
Symphony No.1 in C Minor, WAB 101: 3. Scherzo | Anton Bruckner, Wiener Philharmoniker, Claudio Abbado | C Minor | 1 | 5A | 105 BPM |
Section: 0.5738229751586914
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