Adolphe Adam, Slovak Radio Symphony Orchestra, Andrew Mogrelia's 'Giselle: Act II: Entree des paysans (Peasants Enter)' came out on November 3, 1994. The duration of Giselle: Act II: Entree des paysans (Peasants Enter) is about two minutes long, specifically at 2:34. This song does not appear to have any foul language. Giselle: Act II: Entree des paysans (Peasants Enter)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 5 out of 35 in Adam: Giselle (Complete Ballet) by Adolphe Adam. In terms of popularity, Giselle: Act II: Entree des paysans (Peasants Enter) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Giselle: Act II: Entree des paysans (Peasants Enter) by Adolphe Adam, Slovak Radio Symphony Orchestra, Andrew Mogrelia is Andante (at a walking pace), since this song has a tempo of 103 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Henry VIII: Idylle ecossaise | Camille Saint-Saëns, Razumovsky Symphony Orchestra, Andrew Mogrelia | F Major | 0 | 7B | 93 BPM | ||
Romeo and Juliet, Op.64 - Act 1: Mercutio | Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel | B♭ Minor | 3 | 3A | 85 BPM | ||
La Sylphide: Act II: Sylph Scene: Divertissement | Herman Severin Løvenskiold, Kim Sjøgren, Royal Danish Orchestra, David Garforth | D Major | 0 | 10B | 78 BPM | ||
Giselle: Act II: Entree de Loys - Pas de deux | Adolphe Adam, Academy of St. Martin in the Fields, Sir Neville Marriner | D Major | 0 | 10B | 135 BPM | ||
Hérold & Lanchbery: La fille mal gardée, Act 1: No. 16c, Pas de deux de Fanny Elssler. Adage | Ferdinand Hérold, John Lanchbery, Royal Liverpool Philharmonic Orchestra, Barry Wordsworth | E♭ Major | 0 | 5B | 142 BPM | ||
Spartacus: Variation of Aegina and Bacchanalia | Aram Khachaturian, Bournemouth Symphony Orchestra, Kirill Karabits | D♭ Major | 3 | 3B | 132 BPM | ||
Petite Suite, WD 39: No. 5. Galop: Le bal | Georges Bizet, RTÉ National Symphony Orchestra, Jean-Luc Tingaud | A Major | 5 | 11B | 99 BPM | ||
Polovetsian Dances from Prince Igor: Introduzione | Alexander Borodin, George Szell, Cleveland Orchestra | A Major | 1 | 11B | 83 BPM | ||
Ein Sommernachtstraum (A Midsummer's Night Dream): X. Ein Tanz von Rüppeln / Danse bergamasque | Felix Mendelssohn, Orchestre des Champs-Élysées, Philippe Herreweghe | B Major | 1 | 1B | 125 BPM | ||
Ein Sommernachtstraum, Op. 61: III. Elfenreigen (Allegro vivace) | Felix Mendelssohn, Claus Peter Flor | B Major | 2 | 1B | 72 BPM |
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