- BPM
- 103
- Key
- A Major
- Camelot
- 11B
L'Arlésienne Suite No. 2 (Arr. E. Guiraud for Orchestra): I. Pastorale - Ernest Guiraud, Georges Bizet, Budapest Philharmonic Orchestra, Janos Sandor Information
- Acousticness
- 96%
- Danceability
- 27%
- Energy
- 7%
- Instrumentalness
- 95%
- Liveness
- 11%
- Loudness
- 63%
- Speechiness
- 4%
- Valence
- 8%
- Popularity
- 0%
- Loudness
- -22.341 dB
Summary
"L'Arlésienne Suite No. 2 (Arr. E. Guiraud for Orchestra): I. Pastorale" by Ernest Guiraud, Georges Bizet, Budapest Philharmonic Orchestra, Janos Sandor was released on January 1, 1989. With this song being about 5 minutes long, at 5:27, "L'Arlésienne Suite No. 2 (Arr. E. Guiraud for Orchestra): I. Pastorale" by Ernest Guiraud, Georges Bizet, Budapest Philharmonic Orchestra, Janos Sandor is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 17 out of 20 in Bizet: Carmen Suites Nos. 1 & 2 - L'Arlésienne Suites Nos. 1 & 2 by Georges Bizet, Budapest Philharmonic Orchestra, Janos Sandor. In terms of popularity, L'Arlésienne Suite No. 2 (Arr. E. Guiraud for Orchestra): I. Pastorale is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
L'Arlésienne Suite No. 2 (Arr. E. Guiraud for Orchestra): I. Pastorale BPM
The tempo marking of L'Arlésienne Suite No. 2 (Arr. E. Guiraud for Orchestra): I. Pastorale by Ernest Guiraud, Georges Bizet, Budapest Philharmonic Orchestra, Janos Sandor is Andante (at a walking pace), since this song has a tempo of 103 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
L'Arlésienne Suite No. 2 (Arr. E. Guiraud for Orchestra): I. Pastorale Key
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Symphonie No. 3 in E-Flat Major, Op. 97: III. Nicht schnell (Moderato) | Robert Schumann, Dresdner Philharmonie, Marek Janowski | A♭ Major | 0 | 4B | 100 BPM | |
 | Petite Suite, L.65: 1. En bateau | Claude Debussy, Orchestre de la Suisse Romande, Ernest Ansermet | C Major | 0 | 8B | 63 BPM | |
 | Ballet Suite No. 1 (arr. L. Atovmyan): Romance (The Limpid Stream) | Lev Atovmyan, Dmitri Shostakovich, Russian Philharmonic Orchestra, Dmitry Yablonsky | F Major | 1 | 7B | 90 BPM | |
 | Berlioz: La Damnation de Faust, Op. 24, H 111, Pt. 1: Marche hongroise | Hector Berlioz, Sir John Barbirolli, Hallé | A Major | 3 | 11B | 94 BPM | |
 | Louisa's Polka (orch. I. Krejci) | Bedřich Smetana, Slovak Radio Symphony Orchestra, Robert Stankovsky | E♭ Major | 0 | 5B | 85 BPM | |
 | Die Fledermaus: Overture | Johann Strauss II, Slovak State Philharmonic Orchestra, Kosice, Alfred Walter | C Major | 1 | 8B | 168 BPM | |
 | Aus den schlesischen Bergen, Op. 260 | Eduard Strauss, Czech Philharmonic Chamber Orchestra, Marek Štilec | B♭ Major | 1 | 6B | 87 BPM | |
 | Alegrando | Lowie Wolf Hoeyberghs | B Minor | 3 | 10A | 137 BPM | |
 | Symphonic Dances, Op. 45: I. Non allegro | Sergei Rachmaninoff, Berliner Philharmoniker, Kirill Petrenko | D Minor | 1 | 7A | 80 BPM | |
 | Serenade | Andre Kostelanetz & His Orchestra, Andre Kostelanetz | B Major | 1 | 1B | 96 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.7128386497497559
End: 0.7163503170013428