Kurt Weill, Palast Orchester, Max Raabe, H.K. Gruber made "Lied der Jenny (with Max Raabe)" available on February 5, 2001. The duration of Lied der Jenny (with Max Raabe) is about 3 minutes long, at 3:01. Based on our data, "Lied der Jenny (with Max Raabe)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 14 out of 19 in Charming Weill (with Max Raabe) by Kurt Weill, Palast Orchester. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, Lied der Jenny (with Max Raabe)'s popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Lied der Jenny (with Max Raabe) by Kurt Weill, Palast Orchester, Max Raabe, H.K. Gruber is Allegro (fast, quick, and bright), since this song has a tempo of 138 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Selve amiche | Antonio Caldara, Cecilia Bartoli, György Fischer | A Minor | 0 | 8A | 136 BPM | ||
Requiem, Op. 48: VII. Libera me | Gabriel Fauré, Laurence Equilbey, Accentus, Orchestre National De France, Stéphane Degout | D Minor | 1 | 7A | 74 BPM | ||
Kammermusik No. 1, Op.24 No.1: I. Sehr schnell und wild | Paul Hindemith, Claudio Abbado;Berliner Philharmoniker, Claudio Abbado, Berliner Philharmoniker | B Major | 4 | 1B | 137 BPM | ||
Dido and Aeneas, Z. 626: Act III: When I am Laid in Earth | Henry Purcell, Leontyne Price, Francesco Molinari-Pradelli | G Minor | 1 | 6A | 86 BPM | ||
Pacific 231 | Arthur Honegger, Neeme Järvi, Danish National Symphony Orchestra | B♭ Minor | 3 | 3A | 130 BPM | ||
Scaramouche : III. Brazileira | Darius Milhaud, Christian Ivaldi, Noël Lee | F Major | 3 | 7B | 117 BPM | ||
Symphonie fantastique, Op. 14: II. Un bal | Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding | A Major | 1 | 11B | 107 BPM | ||
Scherzi musicali, cioè arie, et madrigali in stil recitativo: Zefiro torna, SV 251 | Claudio Monteverdi, Magdalena Kozená, Anna Prohaska, La Cetra Barockorchester Basel, Andrea Marcon | G Major | 2 | 9B | 101 BPM | ||
Kleine Dreigroschenmusik: I. Overture | Kurt Weill, Munich Radio Orchestra, Gerd Müller-Lorenz | B♭ Major | 2 | 6B | 91 BPM | ||
Stravinsky: The Rite of Spring, Pt. 1 "Adoration of the Earth": Introduction - Augurs of Spring - Dances of the Young Girls - Ritual of Abduction | Igor Stravinsky, Sir Simon Rattle, City Of Birmingham Symphony Orchestra | A Major | 1 | 11B | 103 BPM |
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