Darius Milhaud, Christian Ivaldi, Noël Lee made "Scaramouche : III. Brazileira" available on 2001. The duration of Scaramouche : III. Brazileira is about two minutes long, specifically at 2:07. This song does not appear to have any foul language. Scaramouche : III. Brazileira's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Darius Milhaud, Georges Prêtre's "Milhaud : Music for 2 pianos/Carnaval d'Aix/Suites" album is number 3 out of 36. In terms of popularity, Scaramouche : III. Brazileira is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Scaramouche : III. Brazileira by Darius Milhaud, Christian Ivaldi, Noël Lee to be Moderato (at a moderate speed) because the track has a tempo of 117 BPM, a half-time of 58BPM, and a double-time of 234 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Konzertstück op.113 for Basset Horn, Clarinet and Piano - Arr. Rainer Schottstadt: 3. Presto | Felix Mendelssohn, The Clarinotts, Wiener Virtuosen Streichensemble | F Major | 2 | 7B | 85 BPM | ||
Ibert: Pièce pour flute seule | Jacques Ibert, Emmanuel Pahud | D♭ Major | 0 | 3B | 87 BPM | ||
Dance of the Dolls: Lyric Waltz (Orch. by Tamas Batiashvili) | Dmitri Shostakovich, Lisa Batiashvili, Symphonieorchester des Bayerischen Rundfunks, Esa-Pekka Salonen | B♭ Major | 0 | 6B | 168 BPM | ||
Ruralia Hungarica, Op. 32b: Andante rubato, alla zingaresca | Ernst von Dohnányi, Franck Krawczyk, Sinfonia Varsovia | G Minor | 1 | 6A | 86 BPM | ||
Sonate pour basson, Op. 168: I. Allegretto moderato | Camille Saint-Saëns, Marc Trenel, Pascal Godart | G Major | 1 | 9B | 67 BPM | ||
Symphonie fantastique, Op. 14, H 48: II. Un Bal | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | A Major | 1 | 11B | 113 BPM | ||
The Young Person's Guide to the Orchestra: Variations and Fugue on a Theme of Henry Purcell, Op. 34: Theme | Benjamin Britten, London Symphony Orchestra, Steuart Bedford | B♭ Major | 1 | 6B | 83 BPM | ||
2 Mélodies, Op. 3: No. 1 in F Major, Moderato assai | Anton Rubinstein, Ludmila Peterková, Irina Kondratenko | F Major | 0 | 7B | 70 BPM | ||
Concertino da camera: I. Allegro con moto | Jacques Ibert, Claude Delangle, Singapore Symphony Orchestra, Lan Shui | F Major | 1 | 7B | 129 BPM | ||
Pictures At An Exhibition: Promenade | Modest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria Giulini | A♭ Major | 0 | 4B | 87 BPM |
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