"Die Zauberflöte, K. 620 / Zweiter Aufzug: "In diesen heil'gen Hallen"" by Wolfgang Amadeus Mozart, Franz Crass, Berliner Philharmoniker, Karl Böhm was released on January 1, 1964. With this song being around four minutes long, at 4:03, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Various Artists, Wolfgang Amadeus Mozart, Berliner Philharmoniker, Karl Böhm's "Mozart: Die Zauberflöte" album is number 13 out of 46. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Die Zauberflöte, K. 620 / Zweiter Aufzug: "In diesen heil'gen Hallen" is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Die Zauberflöte, K. 620 / Zweiter Aufzug: "In diesen heil'gen Hallen" by Wolfgang Amadeus Mozart, Franz Crass, Berliner Philharmoniker, Karl Böhm to be Andante (at a walking pace) because the track has a tempo of 101 BPM, a half-time of 50BPM, and a double-time of 202 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
The music key of this track is F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Die Schöpfung, Hob. XXI:2 / Erster Teil: 6. Arie: "Rollend in schäumenden Wellen" | Franz Joseph Haydn, Walter Berry, Berliner Philharmoniker, Herbert von Karajan | D Major | 2 | 10B | 95 BPM | ||
Die Zauberflöte - Singspiel in two acts K620 (1987 Digital Remaster), Act II: Der, welcher wandert diese Straße (Zwei Geharnischten, Tamino, Pamina) | Wolfgang Amadeus Mozart, Bavarian State Orchestra, Wolfgang Sawallisch | C Minor | 1 | 5A | 71 BPM | ||
Die Schöpfung, Hob. XXI:2 / Zweiter Teil: 22. Arie: "Nun scheint in vollem Glanze der Himmel" | Franz Joseph Haydn, Walter Berry, Berliner Philharmoniker, Herbert von Karajan | D Major | 2 | 10B | 103 BPM | ||
Così fan tutte, K. 588 / Act I: "Fuor la spada" | Wolfgang Amadeus Mozart, Adam Plachetka, Alessandro Corbelli, Rolando Villazón, Chamber Orchestra of Europe, Yannick Nézet-Séguin | E Major | 1 | 12B | 72 BPM | ||
Le Nozze Di Figaro (The Marriage Of Figaro), K. 492: Act I Scene 8: Aria - Non Piu Andrai | Donato Di Stefano, Patrizia Pace, Jozsef Mukk, Ingrid Kertesi, Natale de Carolis, Hungarian State Opera Orchestra, Roberto Frontali, Maria Pia Ionata, Lorenzo Da Ponte, Wolfgang Amadeus Mozart | G Major | 2 | 9B | 127 BPM | ||
The Magic Flute, K. 620, Act II: Moderato. Nur stille, stille, stille, stille | Wolfgang Amadeus Mozart, Wilfried Gahmlich, Anna Gonda, Hungarian Festival Chorus, Budapest Failoni Chamber Orchestra, Michael Halasz, Hellen Kwon, Lotte Leitner, Herbert Lippert, Elizabeth Norberg-Schulz, Kurt Rydl, Georg Tichy, Julia Faulkner, Waltraud Winsauer | D Major | 1 | 10B | 95 BPM | ||
Le Nozze Di Figaro (The Marriage Of Figaro), K. 492: Act IV Scene 10: Recitativo - Giunse Al Fin Il Momento | Donato Di Stefano, Maria Pia Ionata, Hungarian State Opera Orchestra, Patrizia Pace, Ingrid Kertesi, Natale de Carolis, Roberto Frontali, Jozsef Mukk, Lorenzo Da Ponte, Wolfgang Amadeus Mozart | F Major | 0 | 7B | 63 BPM | ||
Le Nozze Di Figaro (The Marriage Of Figaro), K. 492: Act III Scene 8: Recitativo - E Susanna Non Vien! | Donato Di Stefano, Maria Pia Ionata, Hungarian State Opera Orchestra, Roberto Frontali, Natale de Carolis, Jozsef Mukk, Patrizia Pace, Ingrid Kertesi, Lorenzo Da Ponte, Wolfgang Amadeus Mozart | A Minor | 0 | 8A | 73 BPM | ||
Aida / Act 1: Celeste Aida | Giuseppe Verdi, Roberto Alagna, Claudio Abbado, Berliner Philharmoniker | E♭ Major | 2 | 5B | 89 BPM | ||
Rückert Lieder: I. Blicke mir nicht in die Lieder | Gustav Mahler, Dietrich Fischer-Dieskau, Berliner Philharmoniker, Karl Böhm | B Minor | 1 | 10A | 133 BPM |
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