"Rückert Lieder: I. Blicke mir nicht in die Lieder" by Gustav Mahler, Dietrich Fischer-Dieskau, Berliner Philharmoniker, Karl Böhm was released on January 1, 2011. With Rückert Lieder: I. Blicke mir nicht in die Lieder being less than two minutes long, at 1:37, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Gustav Mahler, Symphonieorchester des Bayerischen Rundfunks, Berliner Philharmoniker, Dietrich Fischer-Dieskau, Rafael Kubelík, Karl Böhm's "Mahler: Lieder eines fahrenden Gesellen; 4 Rückert-Lieder; Kindertotenlieder" album is number 5 out of 13. On top of that, Germany appears to be the country where this track was created. Based on our statistics, Rückert Lieder: I. Blicke mir nicht in die Lieder's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Rückert Lieder: I. Blicke mir nicht in die Lieder by Gustav Mahler, Dietrich Fischer-Dieskau, Berliner Philharmoniker, Karl Böhm to be Allegro (fast, quick, and bright) because the track has a tempo of 133 BPM, a half-time of 66BPM, and a double-time of 266 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 8 in G Minor, Op. 88, B. 163: III. Allegretto grazioso - Molto vivace | Antonín Dvořák, London Symphony Orchestra, Sir Colin Davis | G Major | 1 | 9B | 130 BPM | ||
Concerto for Oboe and Strings: 1. Rondo Pastorale | Ralph Vaughan Williams, Celia Nicklin, Academy of St. Martin in the Fields, Sir Neville Marriner | E Minor | 1 | 9A | 81 BPM | ||
Romeo and Juliet, Op. 64: Introduction | Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel | E Major | 1 | 12B | 112 BPM | ||
Borodin - String Quartet No.2 in D major: Notturno: Andante | Alexander Borodin, Borodin Quartet | A Major | 2 | 11B | 74 BPM | ||
Rhapsodie Orientale, Op. 29: 1. Andante | Alexander Glazunov, Orchestre Symphonique de Montréal, Charles Dutoit | D♭ Major | 0 | 3B | 89 BPM | ||
Das Lied von der Erde: IV. Von der Schoenheit | Gustav Mahler, Yannick Nézet-Séguin, London Philharmonic Orchestra, Sarah Connolly, Toby Spence | F Major | 1 | 7B | 64 BPM | ||
The Firebird (L'oiseau De Feu) - Suite (1919): Berceuse | Igor Stravinsky, Orchestre de l'Opéra Bastille, Myung-Whun Chung | A♭ Minor | 0 | 1A | 135 BPM | ||
Petrouchka / Tableau I: Fête populaire de la semaine grasse | Igor Stravinsky, Cleveland Orchestra, Pierre Boulez | D Minor | 2 | 7A | 116 BPM | ||
Cello Concerto in E Minor, Op.85 (1997 - Remaster): IV. Allegro - Moderato - Allegro, ma non troppo | Edward Elgar, Jacqueline du Pré, Sir John Barbirolli, London Symphony Orchestra | E Minor | 1 | 9A | 97 BPM | ||
Carmen Suite No. 1: 1. Prélude | Georges Bizet, Orchestre de Paris, Semyon Bychkov | A Minor | 1 | 8A | 96 BPM |
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