Giuseppe Verdi, Roberto Alagna, Claudio Abbado, Berliner Philharmoniker's 'Aida / Act 1: Celeste Aida' came out on January 1, 2006. The duration of Aida / Act 1: Celeste Aida is about 3 minutes long, at 3:26. Based on our data, "Aida / Act 1: Celeste Aida" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 22 in the song's album "Roberto Alagna Airs de Verdi". In this album, this song's track order is #5. Furthermore, we believe that the track originated from United Kingdom. Aida / Act 1: Celeste Aida is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Aida / Act 1: Celeste Aida by Giuseppe Verdi, Roberto Alagna, Claudio Abbado, Berliner Philharmoniker having a BPM of 89 with a half-time of 44 BPM and a double-time of 178 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bizet: Carmen, WD 31, Act 1 Scene 7: No. 7, Duo, "Parle-moi de ma mère" (Micaëla, Don José) | Georges Bizet, Roberto Alagna, Michel Plasson, Orchestre National Du Capitole De Toulouse | C Major | 2 | 8B | 87 BPM | ||
Die Walküre, WWV 86B / Act III: "Der Augen leuchtendes Paar" | Richard Wagner, Thomas Stewart, Berliner Philharmoniker, Herbert von Karajan | D♭ Minor | 2 | 12A | 59 BPM | ||
Così fan tutte, K.588 / Act 1: "Al fato dan legge" - "La commedia è graziosa" | Wolfgang Amadeus Mozart, Francisco Araiza, Thomas Allen, José van Dam, Karita Mattila, Anne Sofie von Otter, Academy of St. Martin in the Fields, Sir Neville Marriner | B♭ Major | 1 | 6B | 105 BPM | ||
La Bohème / Act 2: "Viva Parpignol..." - "Una cuffietta a pizzi" | Giacomo Puccini, Rolando Panerai, Mirella Freni, Gianni Maffeo, Nicolai Ghiaurov, Luciano Pavarotti, Berliner Philharmoniker, Herbert von Karajan | A Major | 3 | 11B | 110 BPM | ||
La Bohème / Act 2: "Arranci, datteri!" | Giacomo Puccini, Rolando Panerai, Gianni Maffeo, Luciano Pavarotti, Mirella Freni, Schöneberger Sängerknaben, Chor der Deutschen Oper Berlin, Berliner Philharmoniker, Herbert von Karajan | F Major | 5 | 7B | 108 BPM | ||
Otello, Act I: Act I: Fuoco di gioia! (Chorus) | Giuseppe Verdi, Oviedo Filarmonía, Orfeon Donostiarra, Los Peques del León de Oro, Friedrich Haider | E Minor | 0 | 9A | 172 BPM | ||
L'amico Fritz / Act 1: Son pochi fiori | Pietro Mascagni, Angela Gheorghiu, Roberto Alagna, Orchester der Deutschen Oper Berlin, Alberto Veronesi | E♭ Major | 1 | 5B | 96 BPM | ||
Aida / Act 2: Vieni, o guerriero vindice | Giuseppe Verdi, Nicolai Ghiaurov, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado, Coro Del Teatro Alla Scala Di Milano | A♭ Major | 0 | 4B | 81 BPM | ||
Khovanshchina / Act V: "Gospod' spaset mja" - "I Gospod' moj, spaset mja " - Closing applause | Modest Mussorgsky, Paata Burchuladze, Vladimir Atlantov, Marjana Lipovsek, Vienna State Opera Orchestra, Claudio Abbado, Vienna State Opera Chorus, Slovak Philharmonic Choir, Helmut Froschauer, Karl Kamper | A♭ Minor | 2 | 1A | 78 BPM | ||
Tu si da mia | Roberto Alagna, London Orchestra, Yvan Cassar, Avi Avital | D Minor | 3 | 7A | 54 BPM |
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