Franz Joseph Haydn, Walter Berry, Berliner Philharmoniker, Herbert von Karajan's 'Die Schöpfung, Hob. XXI:2 / Zweiter Teil: 22. Arie: "Nun scheint in vollem Glanze der Himmel"' came out on January 1, 1969. With this song being around four minutes long, at 3:45, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Franz Joseph Haydn, Berliner Philharmoniker, Herbert von Karajan's "Haydn: Die Schöpfung" album is number 3 out of 33. In terms of popularity, Die Schöpfung, Hob. XXI:2 / Zweiter Teil: 22. Arie: "Nun scheint in vollem Glanze der Himmel" is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Die Schöpfung, Hob. XXI:2 / Zweiter Teil: 22. Arie: "Nun scheint in vollem Glanze der Himmel" by Franz Joseph Haydn, Walter Berry, Berliner Philharmoniker, Herbert von Karajan to be Andante (at a walking pace) because the track has a tempo of 103 BPM, a half-time of 52BPM, and a double-time of 206 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Die Schöpfung, Hob. XXI:2, Erster Teil: XIV. Chor mit Soli "Die Himmel erzählen die Ehre Gottes" | Joseph Haydn, Collegium Vocale Gent, Orchestre des Champs-Élysées, Philippe Herreweghe, Christina Landshamer, Maximilian Schmitt, Rudolf Rosen | C Major | 3 | 8B | 103 BPM | ||
Bach, JS: Matthäus-Passion, BWV 244, Pt. 2: No. 67, Rezitativ mit Chor. "Nun ist der Herr zur Ruh gebracht" | Johann Sebastian Bach, Nikolaus Harnoncourt, Arnold Schönberg Choir, Vienna Boys' Choir, Bernarda Fink, Christine Schäfer, Dietrich Henschel, Michael Schade, Concentus Musicus Wien | B Minor | 1 | 10A | 81 BPM | ||
St. Matthew Passion, BWV 244 / Part One: No. 9: "Du lieber Heiland du" | Johann Sebastian Bach, Christa Ludwig, Berliner Philharmoniker, Herbert von Karajan | D Minor | 0 | 7A | 178 BPM | ||
Bach, JS: Johannes-Passion, BWV 245, Pt. 2: No. 35, Aria. "Zerfliesse, mein Herze" | Johann Sebastian Bach, Ton Koopman, Barbara Schlick, Amsterdam Baroque Orchestra | E Minor | 0 | 9A | 74 BPM | ||
Die Zauberflöte, K.620 / Act 2: Alles fühlt der Liebe Freuden (Monostatos) | Wolfgang Amadeus Mozart, Heinz Kruse, Berliner Philharmoniker, Herbert von Karajan | G Major | 1 | 9B | 70 BPM | ||
Orfeo ed Euridice: Act III, Scene 3, Coro, Orfeo, Amore ed Euridice: Trionfi Amore, e il mondo intiero | Christoph Willibald Gluck, René Jacobs, Bernarda Fink, Maria Cristina Kiehr, RIAS Kammerchor, Freiburger Barockorchester, Veronica Cangemi | F♯ Minor | 1 | 11A | 125 BPM | ||
Peer Gynt Suite No.1, Op.46: 3. Anitra's Dance | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | D Minor | 0 | 7A | 84 BPM | ||
Musical Characteristics, Op. 19: V. Prelude 1 alla Mozart | Muzio Clementi, Howard Shelley | F Major | 1 | 7B | 68 BPM | ||
Puccini: Madama Butterfly, Act 1: "Questa è la cameriera" (Goro, Pinkerton, Suzuki, Sharpless) | Giacomo Puccini, Lucia Danieli/Nicolai Gedda/Mario Borriello/Renato Ercolani/Orchestra del Teatro alla Scala, Milano/Herbert von Karajan, Herbert von Karajan, Lucie Danieli, Mario Borriello, Nicolai Gedda, Orchestra Del Teatro Alla Scala, Milano, Renato Ercolani | C Major | 2 | 8B | 105 BPM | ||
Die Schöpfung Hob. XXI:2 / Erster Teil: 4. Chor mit Sopransolo: Mit Staunen sieht das Wunderwerk | Joseph Haydn, Kathleen Battle, Berliner Philharmoniker, James Levine, Stockholm Radio Chorus, Stockholm Chamber Choir, Gustav Sjökvist | C Major | 1 | 8B | 91 BPM |
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